David Lavender - Works

Works

  • One Man's West (1943)
  • The Big Divide: The Lively Story of the People of the Southern Rocky Mountains (1948)
  • Snowbound: The Tragic Story of the Donner Party (1948)
  • Bent's Fort (1954)
  • Trail to Santa Fe (1958)
  • Red Mountain (1963)
  • Westward Vision: The Story of the Oregon Trail (1963)
  • The American West (1969)
  • Penguin Book of the American West (1969)
  • California (1972)
  • The Rockies (1975)
  • Nothing seemed impossible: William C. Ralston and early San Francisco (1975)
  • David Lavender's Colorado (1976)
  • One Man's West (1977)
  • Winner Take All: The Trans-Canada Canoe Trail (1977)
  • Land of Giants: Drive to the Pacific Northwest, 1750-1950 (1979)
  • The fist in the wilderness (1979)
  • Overland Migrations: Settlers to Oregon, California, and Utah (1980)
  • Los Angeles, Two Hundred (1980)
  • Fort Vancouver (1981)
  • Overland Migrations (1981)
  • Colorado River Country (1982)
  • The Southwest (1984)
  • Fort Laramie: A Guide to Fort Laramie National Historic Site (1984)
  • River Runners of the Grand Canyon (1985)
  • The Great West (1985)
  • Fort Laramie and the Changing Frontier (1985)
  • California: A Place, a People, a Dream (1986)
  • California: Land of New Beginnings (1987)
  • The Telluride Story (1987)
  • The Way to the Western Sea (1988)
  • American Heritage History Of The West (1988)
  • Let Me Be Free: The Nez Perce Tragedy (1992)
  • De Soto, Coronado, Cabrillo: Explorers of the Northern Mystery (1992)
  • Mask Arts of Mexico (photographer) (1994)
  • The Santa Fe Trail (1995)
  • Pipe Spring and the Arizona Strip (1997)
  • Mother Earth, Father Sky: Pueblo Indians of the American Southwest (1998)
  • The Great Persuader (1999)
  • Fort Vancouver: Fort Vancouver National Historic Site, Washington (2001)
  • Climax at Buena Vista: The Decisive Battle of the Mexican-American War (2003)

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Famous quotes containing the word works:

    “Nature is so perfect that the Trinity couldn’t have fashioned her any more perfect. She is an organ on which our Lord plays and the devil works the bellows.”
    —Johann Wolfgang Von Goethe (1749–1832)

    “Most works of art are effectively treated as commodities and most artists, even when they justly claim quite other intentions, are effectively treated as a category of independent craftsmen or skilled workers producing a certain kind of marginal commodity.”
    —Raymond Williams (1921–1988)

    “Every man is in a state of conflict, owing to his attempt to reconcile himself and his relationship with life to his conception of harmony. This conflict makes his soul a battlefield, where the forces that wish this reconciliation fight those that do not and reject the alternative solutions they offer. Works of art are attempts to fight out this conflict in the imaginative world.”
    —Rebecca West (1892–1983)