David Hoggan - Work

Work

  • Review of Oesterreich Zwischen Russland und Serbien: Zur Suedslawischen Frage und der Entstehung des Ersten Weltkrieges by Hans Uebersberger page page 87 from The Journal of Modern History, Volume 32, Issue # 1, March 1960.
  • Der erzwungene Krieg, Tübingen: Grabert Verlag, 1961, translated into English as The Forced War : When Peaceful Revision Failed, Costa Mesa, California : Institute for Historical Review, 1989, ISBN 0-939484-28-5.
  • Frankreichs Widerstand gegen den Zweiten Weltkrieg Tübingen: Verlag der Deutschen Hochschullehrer-Zeitung, 1963.
  • The Myth of the Six Million Los Angeles, California : The Noontide Press, 1969, ISBN 0-906879-89-2.
  • Der unnötige Krieg, Tübingen: Grabert Verlag 1976.
  • Das blinde Jahrhundert- Amerika—das messianische Unheil, Tübingen: Grabert Verlag, 1979.
  • Das blinde Jahrhundert- Europa—Die verlorene Weltmitte, Tübingen: Grabert Verlag, 1984.
  • The Myth of New History Techniques and Tactics of Mythologists, Costa Mesa, California : Institute for Historical Review, 1985, ISBN 0-317-38511-9.
  • Meine Anmerkungen zu Deutschland: Der Anglo-amerikanische Kreuzzugsgedanke im 20. Jahrhundert, Tübingen: Grabert Verlag, 1990.

Read more about this topic:  David Hoggan

Famous quotes containing the word work:

    “Now you grab me by the ankles.
    Now you work your way up the legs
    and come to pierce me at my hunger mark.”
    —Anne Sexton (1928–1974)

    “The real risks for any artist are taken ... in pushing the work to the limits of what is possible, in the attempt to increase the sum of what it is possible to think. Books become good when they go to this edge and risk falling over it—when they endanger the artist by reason of what he has, or has not, artistically dared.”
    —Salman Rushdie (b. 1947)

    “There is only one art, whose sole criterion is the power, the authenticity, the revelatory insight, the courage and suggestiveness with which it seeks its truth.... Thus, from the standpoint of the work and its worth it is irrelevant to which political ideas the artist as a citizen claims allegiance, which ideas he would like to serve with his work or whether he holds any such ideas at all.”
    —Václav Havel (b. 1936)