David Carson Berry - Publication List

Publication List

• "Dynamic Introductions: The Affective Role of Melodic Ascent and Other Linear Devices in Selected Song Verses of Irving Berlin," Intégral 13 (1999): 1-62.
• "The Popular Songwriter as Composer: Mannerisms and Design in the Music of Jimmy Van Heusen," Indiana Theory Review 21 (2000): 1-51.
• Review of Irving Berlin: Songs from the Melting Pot: The Formative Years, 1907-1914, by Charles Hamm, Contemporary Music Review 19/1 (2000): 157-166.
• Review of Irving Berlin: A Life in Song, by Philip Furia, Music Theory Online 6/5 (2000). Accessible at .
• "Gambling with Chromaticism? Extra-Diatonic Melodic Expression in the Songs of Irving Berlin," Theory and Practice 26 (2001): 21-85.
• Review of Irving Berlin: American Troubadour, by Edward Jablonski, Notes 57/4 (2001): 917-919.
• Review of Stravinsky: The Rite of Spring, by Peter Hill, Notes 58/2 (2001): 357-358.
• "On Teaching 'Tonal Mirror Counterpoint': A Guide to Concepts and Practice," Journal of Music Theory Pedagogy 16 (2002): 1-56.
• "The Role of Adele T. Katz in the Early Expansion of the New York 'Schenker School,'" Current Musicology 74 (2002): 103-151.
• "Hans Weisse and the Dawn of American Schenkerism," Journal of Musicology 20/1 (2003): 104-156.
• "The Meaning(s) of 'Without': An Exploration of Liszt's Bagatelle ohne Tonart," 19th-Century Music 27/3 (2004): 230-262.
• A Topical Guide to Schenkerian Literature: An Annotated Bibliography with Indices (Hillsdale, NY: Pendragon Press, 2004).
• "Victor Vaughn Lytle and the Early Proselytism of Schenkerian Ideas in the U.S.," Journal of Schenkerian Studies 1 (2005): 92-117.
• "Schenkerian Theory in the United States: A Review of Its Establishment and a Survey of Current Research Topics," Zeitschrift der Gesellschaft für Musiktheorie 2/2-3 (2005): 101-137.
• "Stravinsky, Igor," in Europe 1789 to 1914: Encyclopedia of the Age of Industry and Empire, editors-in-chief John Merriman and Jay Winter (Detroit: Charles Scribner's Sons, 2006): vol. 4, 2261-2263.
• "Hans Weisse (1892-1940)," in Schenker-Traditionen: Eine Wiener Schule der Musiktheorie und ihre internationale Verbreitung , ed. Martin Eybl and Evelyn Fink-Mennel (Vienna: Böhlau Verlag, 2006): 91-103.
• "Journal of Music Theory under Allen Forte’s Editorship,” Journal of Music Theory 50/1 (2006): 7–23.
• "The Roles of Invariance and Analogy in the Linear Design of Stravinsky's 'Musick to Heare,'" Gamut 1/1 (2008). Accessible at .
• "The Twin Legacies of a Scholar-Teacher: The Publications and Dissertation Advisees of Allen Forte," in A Music-Theoretical Matrix: Essays in Honor of Allen Forte (Part I), ed. David Carson Berry, Gamut 2/1 (2009): 197-222. Accessible at .
• "'Verborgene Wiederholungen'? Schenker's (Hidden?) Influence in America in the 1930s. Part I: George Wedge and the Filtering of Schenker's Ideas for the 'Average' Person," Theory and Practice (forthcoming).