Live Performances
"Daughter" was first performed live at Neil Young's 1992 Bridge School Benefit. It was also played at the band's December 31, 1992 concert at The Academy Theater in New York City, where Vedder introduced the song as "Brother". Both of these performances of the song featured different lyrics than the version that would ultimately wind up on Vs. "Daughter" is played at nearly every Pearl Jam show, almost always with an extension of the ending that could be an improvisation or a segment of another song. This extension is called a "Daughter tag". A different form of extension to the song was first introduced in the band's performance on Saturday Night Live in April 1994, just eight days after the death of Nirvana frontman and grunge pioneer Kurt Cobain. A tribute to Cobain, it is called "Daughter/Hey Hey, My My" by fans, since the extension is from the Neil Young song "Hey Hey, My My (Into the Black)", which Cobain's suicide note had quoted. Another popular tag of the song is the "It's Okay" tag, which includes a slow improvision based on It's Okay by garage rock band Dead Moon. Live performances of "Daughter" can be found on the "Dissident"/Live in Atlanta box set, the live album Live on Two Legs, various official bootlegs, the live album Live at Benaroya Hall, the live album Live in NYC 12/31/92, the Live at the Gorge 05/06 box set, and the live album Live at Lollapalooza 2007. Performances of the song are also included on the DVDs Touring Band 2000, Live at the Showbox, and Live at the Garden. The version of the song on Live at Lollapalooza 2007 features Vedder singing the lyrics "George Bush leave this world alone/George Bush find yourself another home". The band discovered that some of the Bush-related lyrics were excised from the AT&T webcast of Lollapalooza 2007, and questioned whether that constituted censorship. AT&T later apologized and blamed the censorship on contractor Davie Brown Entertainment.
Read more about this topic: Daughter (song)
Famous quotes containing the words live and/or performances:
“...I ... believe that words can help us move or keep us paralyzed, and that our choices of language and verbal tone have somethinga great dealto do with how we live our lives and whom we end up speaking with and hearing; and that we can deflect words, by trivialization, of course, but also by ritualized respect, or we can let them enter our souls and mix with the juices of our minds.”
—Adrienne Rich (b. 1929)
“This play holds the seasons record [for early closing], thus far, with a run of four evening performances and one matinee. By an odd coincidence it ran just five performances too many.”
—Dorothy Parker (18931967)