Sounds and Themes
The writing of Dark Light was inspired by a Finnish book with the same title and a collection of ancient mythologies and religions (mainly Christianity). Songs including mythological references are "Wings of a Butterfly," "Venus (In Our Blood)," "Drunk on Shadows," and "In the Nightside of Eden." "Wings of a Butterfly" is a reference to a Greek myth in which two souls destroyed something beautiful to live forever, and "Venus (In Our Blood)" has the line "Venus denies your seven towers," referring to another Greek myth portraying hell as seven towers protruding from dark waters. In the song "In the Nightside of Eden," there is a line, "we descend to the circle number four," a reference to The Divine Comedy's adaptation of hell, an adaptation that many mistake for an actual part of the Bible.
Several of the songs include Easter eggs. In the exclusive bonus track "Venus (In Our Blood)," there is a little girl's voice speaking at the beginning, and in reverse the little girl says "Where are we going, Daddy?" There is backmasked voice at the end of "In the Nightside of Eden" and "Behind the Crimson Door," continuing their trend, has a whispering voice at the bridge of the song.
Read more about this topic: Dark Light (HIM Album)
Famous quotes containing the words sounds and, sounds and/or themes:
“I lately met with an old volume from a London bookshop, containing the Greek Minor Poets, and it was a pleasure to read once more only the words Orpheus, Linus, Musæus,—those faint poetic sounds and echoes of a name, dying away on the ears of us modern men; and those hardly more substantial sounds, Mimnermus, Ibycus, Alcæus, Stesichorus, Menander. They lived not in vain. We can converse with these bodiless fames without reserve or personality.”
—Henry David Thoreau (1817–1862)
“I hear lake water lapping with low sounds by the shore;
While I stand on the roadway, or on the pavements gray,
I hear it in the deep heart’s core.”
—William Butler Yeats (1865–1939)
“In economics, we borrowed from the Bourbons; in foreign policy, we drew on themes fashioned by the nomad warriors of the Eurasian steppes. In spiritual matters, we emulated the braying intolerance of our archenemies, the Shi’ite fundamentalists.”
—Barbara Ehrenreich (b. 1941)