Roles
| Role | Voice type | Premiere Cast, 18 September 1784 (Conductor: ) |
|---|---|---|
| Iphise | soprano | Marie Thérèse Maillard |
| Dardanus | tenor | Étienne Lainez |
| Arcas | haute-contre | Dufrenaye (also spelled Dufresnay) |
| Anténor | taille | François Lays |
| Teucer | bass-baritone | Henri Larrivée |
| Isménor | bass-baritone | Augustin-Athanase Chéron |
| Un officier du palais | bass-baritone | Jean-Pierre Moreau |
| Deux coryphées | sopranos | Anne-Marie-Jeanne Gavaudan, ainée/Adealaïde Gavaudan, cadette |
| Deux confidentes | sopranos | Girardin/Aurore (chorus-singers) |
| Warriors, magicians, sylphs, spirits: choir | ||
|
ballerinas: Marie-Madeleine Guimard, Victoire Saulnier; male dancers: Pierre Gardel, Auguste Vestris |
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Read more about this topic: Dardanus (Sacchini)
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“There is a striking dichotomy between the behavior of many women in their lives at work and in their lives as mothers. Many of the same women who are battling stereotypes on the job, who are up against unspoken assumptions about the roles of men and women, seem to accept—and in their acceptance seem to reinforce—these roles at home with both their sons and their daughters.”
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“Productive collaborations between family and school, therefore, will demand that parents and teachers recognize the critical importance of each other’s participation in the life of the child. This mutuality of knowledge, understanding, and empathy comes not only with a recognition of the child as the central purpose for the collaboration but also with a recognition of the need to maintain roles and relationships with children that are comprehensive, dynamic, and differentiated.”
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