Music
| Dante's Peak: Original Motion Picture Soundtrack | |
|---|---|
| Soundtrack album by John Frizzell & James Newton Howard | |
| Released | February 4, 1997 (1997-02-04) |
| Label | Varese Sarabande |
The original score was co-composed by John Frizzell and James Newton Howard. Howard wrote the main theme (heard during the opening titles) and a number of cues, while Frizzell wrote the bulk of the score.
30 minutes of the score was released by Varese Sarabande; the short album length being due to high orchestra fees at the time of release. An expanded bootleg exists which contains almost the entire score.
The contents of the CD release can also be found on the region 1 DVD, on an alternate audio track during the 'Creating a Volcano' documentary.
The "Main Titles" cue is also featured on Varese's "The Towering Inferno and Other Disaster Classics" compilation album.
| Dante's Peak: Original Motion Picture Soundtrack | |||
|---|---|---|---|
| No. | Title | Length | |
| 1. | "Main Titles" | 5:30 | |
| 2. | "The Close Call" | 1:49 | |
| 3. | "Trapped in the Crater" | 5:03 | |
| 4. | "On the Porch" | 2:31 | |
| 5. | "The Evacuation Begins" | 4:12 | |
| 6. | "The Helicopter Crash" | 1:28 | |
| 7. | "Escaping the Burning House" | 2:32 | |
| 8. | "Sinking on Acid Lake" | 2:37 | |
| 9. | "Stuck in the Lava" | 1:44 | |
| 10. | "The Rescue" | 3:05 | |
| Total length: | 30:22 | ||
Read more about this topic: Dante's Peak
Famous quotes containing the word music:
“As if, as if, as if the disparate halves
Of things were waiting in a betrothal known
To none, awaiting espousal to the sound
Of right joining, a music of ideas, the burning
And breeding and bearing birth of harmony,
The final relation, the marriage of the rest.”
—Wallace Stevens (18791955)
“Where should this music be? I th air, or th earth?
It sounds no more.”
—William Shakespeare (15641616)
“During the cattle drives, Texas cowboy music came into national significance. Its practical purpose is well knownit was used primarily to keep the herds quiet at night, for often a ballad sung loudly and continuously enough might prevent a stampede. However, the cowboy also sang because he liked to sing.... In this music of the range and trail is the grayness of the prairies, the mournful minor note of a Texas norther, and a rhythm that fits the gait of the cowboys pony.”
—Administration in the State of Texa, U.S. public relief program (1935-1943)