Career
In the summer of 1988 Hellman, then a self-described "stoner" who lived in his grandparents' attic in Queens, followed illustrator friends in getting freelance work from Kevin Hein, art director of the weekly New York City pornographic newspaper Screw. Hellman showed Hein a portfolio of his rock posters, and a "tweaked" version of one became Hellman's first Screw cover. He continued to contribute cover art to the magazine on a regular basis, and provide occasional interior comic-strip work parodying the likes of Superman, The Simpsons, and The Cosby Show, until Screw ceased publication in 2006.
In the early 1990s, Hellman went on to illustrate for art director Michael Gentile at New York Press — later continuing with Gentile with the art director moved to Habitat — and the local periodicals The Village Voice, and Guitar World. Hellman eventually drew for national publications including Time, Fortune, Sports Illustrated, The Wall Street Journal, and FHM.
In comic books and related periodicals, Hellman in the early to mid-1990s self-published a handful of minicomics that included Coffee Drinkin' Man, written by East Village painter Geoff Gilmore, and Peaceful Atom and the Mystery Mice. His earliest recorded credit is penciling and inking writer Dennis Eichhorn's two-page autobiographical story "Iron Denny" in Starhead Comix's Real Schmuck #4 (April 1993).
He went on to draw comics for a variety of alternative comics publishers, as well as an Aquaman story for DC Comics' Bizarro World, and several one-page strips for the The Big Book of series of trade paperbacks for the DC imprint Paradox Press. Other comics work includes Hotwire, Mad, Last Gasp Comics & Stories #1-5 (1994–1997), and Fantagraphics' Spicecapades (Spring 1999).
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