Invention of The Character
Barry Humphries was invited to join the fledgling Union Theatre Repertory Company early in 1955 and toured Victorian country towns performing Twelfth Night, directed by Ray Lawler. On tour, Humphries invented Edna gradually as part of the entertainment for the actors during commutes between country towns. Humphries gradually developed a falsetto impersonation of a Melbourne housewife, imitating the Country Women's Association representatives who welcomed the troup in each town. At Lawler's suggestion, Mrs Everage (later named Edna after Humphries' nanny) made her first appearance in a Melbourne University's UTRC revue at the end of 1955, as the city prepared for the 1956 Olympic Games. The sketch involved a houseproud "average housewife" offering her Moonee Ponds home as an Olympic billet, spruiking her home as possessing "burgundy wall-to-wall carpets, lamington cakes and reindeers frosted on glass dining-room doors".
At this time the character was billed as "Mrs Norm Everage" (Humphries describing this name as "Everage as in 'average', husband Norm as in 'normal'") and had none of the characteristic flamboyant wardrobe of later years.
According to one author, Edna came into her own during the 1980s when the policies of Thatcherism -- and what he described as the "vindictive style of the times"-- allowed Dame Edna to sharpen her observations accordingly. Lahr wrote that Edna took Prime Minister Margaret Thatcher's "seemingly hypocritical motto" of "caring and compassion" for others and turned it on its head, Edna became the voice of Humphries' outrage.
Read more about this topic: Dame Edna Everage
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