Dallas Crane - History

History

Dallas Crane started in 1996 with Dave Larkin and Pete Satchell on guitars and vocals, Shan Vanderwert on drums and Chris Brodie on bass.

Pat Bourke replaced Chris Brodie on bass on 2001.

The band started winning support slots around the country for the likes of You Am I and The Posies. The band also received airplay on national radio broadcaster Triple J's "Live at the Wireless" program with a track appearing on a CD of highlights of the band. Triple J DJ Richard Kingsmill was an early fan of the band - Kingsmill is now head of programming on the radio network.

Dallas Crane recorded its second album Twenty Four Seven in 2000. This album received a positive response from Australian rock critics with Beat Magazine naming it as album of the week and In-Press naming it as rock record of the week. Dallas Crane also won the major award at the Australian Live Music Awards, leading the band to represent Australia at the International Live Music Awards in London in 2002. Chris Brodie left the band after the release of Twenty Four Seven, replaced by Pat Bourke in Jan 2001.

Dallas Crane continued to win support slots to a number of artists including Ryan Adams, The Black Keys, Rocket Science, and You Am I. During their shows with You Am I, lead singer Tim Rogers said "Dallas Crane is the best band in the country" and even made reference to the band in the You Am I song "Who Put The Devil In You?". Rogers was compiling the soundtrack for the Australian film Dirty Deeds released in 2002 and asked Dallas Crane to cover "Wild About You" originally performed by Australian 60's band "The Missing Links".

Read more about this topic:  Dallas Crane

Famous quotes containing the word history:

    The history of the Victorian Age will never be written: we know too much about it.
    Lytton Strachey (1880–1932)

    I cannot be much pleased without an appearance of truth; at least of possibility—I wish the history to be natural though the sentiments are refined; and the characters to be probable, though their behaviour is excelling.
    Frances Burney (1752–1840)

    The myth of independence from the mother is abandoned in mid- life as women learn new routes around the mother—both the mother without and the mother within. A mid-life daughter may reengage with a mother or put new controls on care and set limits to love. But whatever she does, her child’s history is never finished.
    Terri Apter (20th century)