Curvature of Space Curves
As in the case of curves in two dimensions, the curvature of a regular space curve C in three dimensions (and higher) is the magnitude of the acceleration of a particle moving with unit speed along a curve. Thus if γ(s) is the arclength parametrization of C then the unit tangent vector T(s) is given by
and the curvature is the magnitude of the acceleration:
The direction of the acceleration is the unit normal vector N(s), which is defined by
The plane containing the two vectors T(s) and N(s) is called the osculating plane to the curve at γ(s). The curvature has the following geometrical interpretation. There exists a circle in the osculating plane tangent to γ(s) whose Taylor series to second order at the point of contact agrees with that of γ(s). This is the osculating circle to the curve. The radius of the circle R(s) is called the radius of curvature, and the curvature is the reciprocal of the radius of curvature:
The tangent, curvature, and normal vector together describe the second-order behavior of a curve near a point. In three-dimensions, the third order behavior of a curve is described by a related notion of torsion, which measures the extent to which a curve tends to perform a corkscrew in space. The torsion and curvature are related by the Frenet–Serret formulas (in three dimensions) and their generalization (in higher dimensions).
Read more about this topic: Curvature
Famous quotes containing the words space and/or curves:
“Play is a major avenue for learning to manage anxiety. It gives the child a safe space where she can experiment at will, suspending the rules and constraints of physical and social reality. In play, the child becomes master rather than subject.... Play allows the child to transcend passivity and to become the active doer of what happens around her.”
—Alicia F. Lieberman (20th century)
“One way to do it might be by making the scenery penetrate the automobile. A polished black sedan was a good subject, especially if parked at the intersection of a tree-bordered street and one of those heavyish spring skies whose bloated gray clouds and amoeba-shaped blotches of blue seem more physical than the reticent elms and effusive pavement. Now break the body of the car into separate curves and panels; then put it together in terms of reflections.”
—Vladimir Nabokov (1899–1977)