National Costume and Dress
As a multi-national state, the UK has no single national costume. However, different countries within the United Kingdom have national costumes or at least are associated with styles of dress. Scotland has the kilt and Tam o'shanter, and tartan clothing — pattern consisting of criss-crossed horizontal and vertical bands in multiple colours — is a notable aspect of Gaelic culture. A traditional Welsh costume with Welsh hat is worn by some women during Eisteddfodau. In England certain military uniforms such as the Beefeater or the Queen's Guard are considered to be symbolic of Englishness, though they are not official national costumes. Morris dancers or the costumes for the traditional English May dance are sometimes cited as examples of traditional English costume, but are only worn by participants in those events.
This is in large part due to the critical role that British sensibilities have played in world clothing since the eighteenth century. Particularly during the Victorian era, British fashions defined acceptable dress for men of business. Key figures such as the future Edward VII, Edward VIII, and Beau Brummell, created the modern suit and cemented its dominance. Brummell is credited with introducing and establishing as fashion the modern man's suit, worn with a tie. The tradition of a white wedding is commonly credited to Queen Victoria's choice to wear a white wedding dress at her wedding to Prince Albert in 1840, at a time when white was associated with purity and conspicuous consumption (because it was difficult to keep clean, and thus could not be worn by servants or laborers), and when it was the color required of girls being presented to the royal court.
Read more about this topic: Culture Of The United Kingdom
Famous quotes containing the words national, costume and/or dress:
“The principle of all sovereignty resides essentially in the nation.”
—French National Assembly. Declaration of the Rights of Man (Sept. 1791)
“His hair has the long jesuschrist look. He is wearing the costume clothes. But most of all, he now has a very tolerant and therefore withering attitude toward all those who are still struggling in the old activist political ways ... while he, with the help of psychedelic chemicals, is exploring the infinite regions of human consciousness.”
—Tom Wolfe (b. 1931)
“Iconic clothing has been secularized.... A guardsman in a dress uniform is ostensibly an icon of aggression; his coat is red as the blood he hopes to shed. Seen on a coat-hanger, with no man inside it, the uniform loses all its blustering significance and, to the innocent eye seduced by decorative colour and tactile braid, it is as abstract in symbolic information as a parasol to an Eskimo. It becomes simply magnificent.”
—Angela Carter (19401992)