Music
Portuguese musical traditions are diverse and dynamic, they reflect multifarious historical, cultural, and political processes with influences from non-European cultures from both North and sub-Saharan Africa and Brazil.
Polyphonic music, employing multiple vocal parts in harmony, was developed in the 15th century. The Renaissance fostered a rich output of compositions for solo instruments and ensembles as well as for the voice.
The 1960s started a period of expansion and innovation with pop, rock and jazz introduced and evolving, political song developed, the fado of Lisbon and the Coimbra were revitalized. Music from the former African colonies and Brazil occupied an increasingly important place in the capital's musical life and local styles of rap and hip hop emerged.
The modern revival of academic music was primarily work of Luís de Freitas Branco, and continued by Joly Braga Santos. Composers like António Victorino d'Almeida, Jorge Peixinho, Miguel Azguime, Pedro Amaral, and João Pedro Oliveira are known internationally. Orchestras include the Orquestra Sinfónica Portuguesa and the Gulbenkian Orchestra. Oporto has had its own symphony orchestra since 1962, when the Chamber Orchestra was set up by the Gulbenkian Foundation. Lisbon also has a metropolitan orchestra, and the National Theatre of São Carlos in Lisbon, which was built in the late 18th century, has its own orchestra and ballet company. Among notable pianists, Maria João Pires has won worldwide acclaim.
Cultural centres such as the Belém Cultural Centre and the Culturgest, both in Lisbon, have expanded opportunities for major concerts. Madredeus is among the most successful popular music groups. Singer Dulce Pontes is also widely admired, and Carlos Paredes is considered by many to be Portugal's finest guitarist. Folk music and dancing and the traditional fado remain the country's fundamental forms of musical expression.
Read more about this topic: Culture Of Portugal
Famous quotes containing the word music:
“There is a pleasure in the pathless woods,
There is a rapture on the lonely shore,
There is society where none intrudes
By the deep sea, and music in its roar:
I love not man the less, but nature more,”
—George Gordon Noel Byron (1788–1824)
“The basic difference between classical music and jazz is that in the former the music is always greater than its performance—Beethoven’s Violin Concerto, for instance, is always greater than its performance—whereas the way jazz is performed is always more important than what is being performed.”
—André Previn (b. 1929)
“Let us describe the education of our men.... What then is the education to be? Perhaps we could hardly find a better than that which the experience of the past has already discovered, which consists, I believe, in gymnastic, for the body, and music for the mind.”
—Plato (c. 427–347 B.C.)