Arts
Traditional Malaysian art is mainly centred around the crafts of carving, weaving, and silversmithing. Traditional art ranges from handwoven baskets from rural areas to the silverwork of the Malay courts. Common artworks included ornamental kris and beetle nut sets. Luxurious textiles known as Songket are made, as well as traditional patterned batik fabrics. Indigenous East Malaysians are known for their wooden masks. Malaysian art has expanded only recently, as before the 1950s Islamic taboos about drawing people and animals were strong. Textiles such as the batik, songket, pua kumbu, and tekat are used for decorations, often embroidered with a painting or pattern. Traditional Jewelry was made from gold and silver adorned with gems, and in the east leather of beads were used to the same effect.
Earthenware has been developed in many areas. The Labu Sayong is a gourd-shaped clay jar that holds water. Perak is famous for these. Also used to store water is the angular Terenang. The belanga is a clay bowl used to cook, with a wide base that allows heat to spread easily. Carved wood is used as ornamentation for many items, such as doors and window panels. Woodcarving was never an industry, but an art. Traditional woodcarvers spent years simply preparing the wood, due to a belief that woodcarvers need to be a perfect match with their wood. The wood also had to match the buyer, so woodcarving was a very ritualised task.
Each ethnic group has distinct performing arts, with little overlap between them. Malay art shows some North Indian influence. A form of art called mak yong, incorporating dance and drama, remains strong in the Kelantan state. However, older Malayan-Thai performing arts such as mak yong have declined in popularity throughout the country due to their Hindu-Buddhist origin. Since the Islamisation period, the arts and tourism ministry have focused on newer dances of Portuguese, Middle Eastern, or Mughal origin. Malay traditional dances include joget melayu and zapin. In recent years, dikir barat has grown in popularity, and it is actively promoted by state governments as a cultural icon. Silat is another popular Malay martial art and dance form, believed to increase a person's spiritual strength. Wayang kulit (shadow puppet theatre) has been popular in Malaysia for centuries. The puppets are usually made with cow and buffalo skin, and are carved and painted by hand. Plays done with shadow puppets are often based on traditional stories, especially tales from the Ramayana and the Mahabharata. Traditionally, theatrical music is performed only by men. Javanese immigrants brought Kuda Kepang to Johor, and is a form of dance where dancers sit on mock horses and tells the tales of Islamic wars. The Chinese communities brought traditional lion dances and dragon dances with them, while Indians brought art forms such as Bharata Natyam and Bhangra. Colonialism also brought other art forms, such as the Portuguese Farapeira and Branyo. There are a variety of traditional dances, which often have very strong spiritual significance. Different tribes from west and east Malaysia have different dances.
Read more about this topic: Culture Of Malaysia
Famous quotes containing the word arts:
“No performance is worth loss of geniality. ‘Tis a cruel price we pay for certain fancy goods called fine arts and philosophy.”
—Ralph Waldo Emerson (1803–1882)
“Self-expression is not enough; experiment is not enough; the recording of special moments or cases is not enough. All of the arts have broken faith or lost connection with their origin and function. They have ceased to be concerned with the legitimate and permanent material of art.”
—Jane Heap (c. 1880–1964)
“I should say that the most prominent scientific men of our country, and perhaps of this age, are either serving the arts and not pure science, or are performing faithful but quite subordinate labors in particular departments. They make no steady and systematic approaches to the central fact.... There is wanting constant and accurate observation with enough of theory to direct and discipline it. But, above all, there is wanting genius.”
—Henry David Thoreau (1817–1862)