Culture of Iran

Culture Of Iran

To best understand Iran, their related societies and their people, one must first attempt to acquire an understanding of their culture. It is in the study of this area where the Iranian people's identity optimally expresses itself. As the first sentence of prominent Iranologist Richard Nelson Frye's latest book on Persia reads: "Iran's prize possession has been its culture."

Thus an eclectic cultural elasticity has been said to be one of the key defining characteristics of the Persian spirit and a clue to its historic longevity. Furthermore, Iran's culture has manifested itself in several facets throughout the history of Iran as well as that of Central Asia.

The article uses the words Persian and Iranian interchangeably, sometimes referring to the language and its speakers, and other times referring to the name of pre-20th century Iran, a nomenclature which survives from western explorers and orientalists. Both are not the same however, and the cultures of the peoples of Greater Persia are the focus of this article.

Persian arts
Visual arts
  • Painting
  • Miniatures
  • Calligraphy
Decorative arts
  • Jewelry
  • Metalworks
  • Embroidery
  • Motifs
  • Tileworks
  • Handicrafts
  • Pottery
  • Mirrorworks
Literature
  • Literature
  • Mythology
  • Folklore
  • Philosophy
Performance arts
  • Dance
  • Music
  • Cinema
  • Theatre
Other
  • Architecture
  • Cuisine
  • Carpets
  • Gardens

Read more about Culture Of Iran:  Art, Religion in Iran, Holidays in Iran, Wedding Ceremonies, Persian Rugs, Sports, Women in Persian Culture, Traditional Important Days, Traditional Cultural Inheritors of The Old Persia, Contributions To Humanity in Ancient History

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    Both cultures encourage innovation and experimentation, but are likely to reject the innovator if his innovation is not accepted by audiences. High culture experiments that are rejected by audiences in the creator’s lifetime may, however, become classics in another era, whereas popular culture experiments are forgotten if not immediately successful. Even so, in both cultures innovation is rare, although in high culture it is celebrated and in popular culture it is taken for granted.
    Herbert J. Gans (b. 1927)

    During my administration the most unpleasant and perhaps most dramatic negotiations in which we participated were with the various leaders of Iran after the seizure of American hostages in November 1979. The Algerians were finally chosen as the only intermediaries who were considered trustworthy both by me and the Ayatollah Khomeini. After many aborted efforts, final success was achieved during my last few hours in the White House.
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