Culture of Brazil - Literature

Literature

Literature in Brazil dates back to the 16th century, to the writings of the first Portuguese explorers in Brazil, such as Pêro Vaz de Caminha, filled with descriptions of fauna, flora and natives that amazed Europeans that arrived in Brazil. When Brazil became a colony of Portugal, there was the "Jesuit Literature", whose main name was father António Vieira, a Portuguese Jesuit who became one of the most celebrated Baroque writers of the Portuguese language. A few more explicitly literary examples survive from this period, José Basílio da Gama's epic poem celebrating the conquest of the Missions by the Portuguese, and the work of Gregório de Matos Guerra, who produced a sizable amount of satirical, religious, and secular poetry. Neoclassicism was widespread in Brazil during the mid-18th century, following the Italian style.

Brazil produced significant works in Romanticism – novelists like Joaquim Manuel de Macedo and José de Alencar wrote novels about love and pain. Alencar, in his long career, also treated Indigenous people as heroes in the Indigenist novels O Guarany, Iracema, Ubirajara. The French Mal du siècle was also introduced in Brazil by the likes of Alvares de Azevedo, whose Lira dos Vinte Anos and Noite na Taverna are national symbols of the Ultra-romanticism. Gonçalves Dias, considered one of the national poets, sang the Brazilian people and the Brazilian land on the famous Song of the Exile (1843), known to every Brazilian schoolchild. Also dates from this period, although his work has hatched in Realism, Machado de Assis, whose works include Helena, Memórias Póstumas de Brás Cubas, O alienista, Dom Casmurro, and who is widely regarded as the most important writer of Brazilian literature. Assis is also highly respected around the world.

My land has palm trees, Where the Thrush sings; The birds, that sing here, Do not sing as they do there.

Monteiro Lobato, of the Pré-Modernism (an essentially Brazilian literary movement), wrote mainly for children, often bringing Greek mythology and didacticism with Brazilian folklore, as we see in his short stories about Saci Pererê. Some authors of this time, like Lima Barreto and Simões Lopes Neto and Olavo Bilac, already show a distinctly modern character; Augusto dos Anjos, whose works combine Symbolistic, Parnasian and even pre-modernist elements has a "paralytic language". Mário de Andrade and Oswald de Andrade, from Modernism, combined nationalist tendencies with an interest in European modernism and created the Modern Art Week of 1922. João Cabral de Melo Neto and Carlos Drummond de Andrade are placed among the greatest Brazilian poets; the first, post-modernist, concerned with the aesthetics and created a concise and elliptical and lean poetic, against sentimentality; Drummond, in turn, was a supporter of "anti-poetic" where the language was born with the poem. In Post-Modernism, João Guimarães Rosa wrote the novel Grande Sertão: Veredas, about Sertão, with a highly original style and almost a grammar of his own, while Clarice Lispector wrote with an introspective and psychological probing of her characters. Nowadays, Nelson Rodrigues, Rubem Fonseca and Sérgio Sant'Anna, next to Nélida Piñon and Lygia Fagundes Telles, both members of Academia Brasileira de Letras, are important authors who write about contemporary issues sometimes with erotic or political tones. Ferreira Gullar and Manoel de Barros are two highly admired poets and the former has also been nominated for the Nobel Prize.