Music
The Algerian musical genre best known abroad is raï, a pop-flavored, opinionated take on folk music, featuring international stars such as Khaled and Cheb Mami. In Algeria itself, raï remains the most popular, but the older generation still prefer shaabi, as performed by for instance Dahmane El Harrachi. While the tuneful melodies of Kabyle music, exemplified by Idir, Ait Menguellet, or Lounès Matoub, have a wide audience. For more classical tastes, Andalusi music, brought from Al-Andalus by Morisco refugees, is preserved in many older coastal towns. For a more modern style, the English born and of Algerian descent, Potent C is gradually becoming a success for younger generations. Encompassing a mixture of folk, raï, and British hip hop, it is a highly collective and universal genre.
Although "]". Wikilink embedded in URL title (help) is welcomed and praised as a glowing cultural emblem for Algeria, there was time when raï’s come across critical cultural and political conflictions with Islamic and government policies and practices, post-independency. Thus the distribution and expression of raï music became very difficult. However, “then the government abruptly reversed its position in mid-1985. In part this was due to the lobbying of a former liberation army officer turned pop music impresario, Colonel Snoussi, who hoped to profit from raï if it could be mainstreamed.” In addition, given both nations’ relations, Algerian government was pleased with the music’s growing popularity in France. Although the music is more widely accepted on the political level, it still faces severe conflictions with the populace of Islamic faith in Algeria.
Read more about this topic: Culture Of Algeria
Famous quotes containing the word music:
“Poetry is either something that lives like fire inside you—like music to the musician or Marxism to the Communist—or else it is nothing, an empty formalized bore around which pedants can endlessly drone their notes and explanations.”
—F. Scott Fitzgerald (1896–1940)
“But listen, up the road, something gulps, the church spire
Opens its eight bells out, skulls’ mouths which will not tire
To tell how there is no music or movement which secures
Escape from the weekday time. Which deadens and endures.”
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“Music is either sacred or secular. The sacred agrees with its dignity, and here has its greatest effect on life, an effect that remains the same through all ages and epochs. Secular music should be cheerful throughout.”
—Johann Wolfgang Von Goethe (1749–1832)