Literature
Modern Algerian literature, split between Arabic and French, has been strongly influenced by the country's recent history. Known poets in modern Algeria are Moufdi Zakaria, Mohammed Al Aid from the middle of the 20th century, and Achour Fenni and Azrag Omar in the late 1980s. Famous novelists of the 20th century include Mohammed Dib, Albert Camus, Kateb Yacine, and Ahlam Mosteghanemi, while Assia Djebar is widely translated. Among the important novelists of the 1980s were Rachid Mimouni, later vice-president of Amnesty International, and Tahar Djaout, murdered by an Islamist group in 1993 for his secularist views. In philosophy and the humanities, Jacques Derrida, the father of deconstruction, was born in El Biar in Algiers; Malek Bennabi and Frantz Fanon are noted for their thoughts on decolonization; Augustine of Hippo was born in Tagaste (modern-day Souk Ahras); and Ibn Khaldun, though born in Tunis, wrote the Muqaddima while staying in Algeria.
Algerian culture has been strongly influenced by Islam, the main religion. The works of the Sanusi family in pre-colonial times, and of Emir Abdelkader and Sheikh Ben Badis in colonial times, are widely noted. The Latin author Apuleius was born in Madaurus (Mdaourouch), in what later became Algeria.
Read more about this topic: Culture Of Algeria
Famous quotes containing the word literature:
“Woe to that nation whose literature is cut short by the intrusion of force. This is not merely interference with freedom of the press but the sealing up of a nation’s heart, the excision of its memory.”
—Alexander Solzhenitsyn (b. 1918)
“I am not fooling myself with dreams of immortality, know how relative all literature is, don’t have any faith in mankind, derive enjoyment from too few things. Sometimes these crises give birth to something worth while, sometimes they simply plunge one deeper into depression, but, of course, it is all part of the same thing.”
—Stefan Zweig (18811942)
“Literature that is not the breath of contemporary society, that dares not transmit the pains and fears of that society, that does not warn in time against threatening moral and social dangers—such literature does not deserve the name of literature; it is only a façade. Such literature loses the confidence of its own people, and its published works are used as wastepaper instead of being read.”
—Alexander Solzhenitsyn (b. 1918)