Cultural depictions of the Salem witch trials abound in art, literature and popular media in the United States, from the early 19th century to the present day. The literature and some televisual depictions are discussed in Marion Gibson's Witchcraft Myths in American Culture (New York: Routledge, 2007) and see also Bernard Rosenthal's Salem Story: Reading the Witch Trials of 1692 (Cambridge: Cambridge University Press, 1995).
Read more about Cultural Depictions Of The Salem Witch Trials: The Salem Witch Trials in Literature, Collectibles, 19th Century Illustrations Depicting The Episode, 19th and 20th Century Photographs of 17th Century Buildings Related To The Episode
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“Hard times accounted in large part for the fact that the exposition was a financial disappointment in its first year, but Sally Rand and her fan dancers accomplished what applied science had failed to do, and the exposition closed in 1934 with a net profit, which was donated to participating cultural institutions, excluding Sally Rand.”
—For the State of Illinois, U.S. public relief program (1935-1943)
“Surely, of all creatures we eat, we are most brutal to snails. Helix optera is dug out of the earth where he has been peacefully enjoying his summer sleep, cracked like an egg, and eaten raw, presumably alive. Or boiled in oil. Or roasted in the hot ashes of a wood fire.... If God is a snail, Bosch’s depictions of Hell are going to look like a vicarage tea-party.”
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“without luggage or defenses,
giving up my car keys and my cash,
keeping only a pack of Salem cigarettes
the way a child holds on to a toy.
I signed myself in where a stranger
puts the inked-in X’s”
—Anne Sexton (1928–1974)
“A witch is one who worketh by the Devil or by some curious art either healing or revealing things secret, or foretelling things to come which the Devil hath devised to ensnare men’s souls withal unto damnation. The conjurer, the enchanter, the sorcerer, the diviner, and whatever other sort there is encompassed within this circle.”
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