Books
- William E. Caplin, Classical Form: A Theory of Formal Functions for the Instrumental Music of Haydn, Mozart, and Beethoven (Oxford: Oxford University Press, 2000), ISBN 0-195-1439-9
- James Hepokoski and Warren Darcy, Elements of Sonata Theory: Norms, Types, and Deformations in the Late-Eighteenth-Century Sonata (Oxford: Oxford University Press, 2006), ISBN 0-19-514640-9
- Susan McClary, Feminine Endings, University of Minnesota Press (reissued 2002), ISBN 0-8166-4189-7.
- Charles Rosen, The Classical Style: Haydn, Mozart, Beethoven (2nd ed. 1997; New York: Norton), ISBN 0-393-31712-9
- Charles Rosen, Sonata Forms (1982; revised ed. 1998, New York: Norton), ISBN 0-393-30219-9.
Read more about this topic: Criticism And Sonata Form
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“I am an inveterate homemaker, it is at once my pleasure, my recreation, and my handicap. Were I a man, my books would have been written in leisure, protected by a wife and a secretary and various household officials. As it is, being a woman, my work has had to be done between bouts of homemaking.”
—Pearl S. Buck (1892–1973)
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—Neil Kurshan (20th century)
“And I saw the dead, small and great, stand before God; and the books were opened: and another book was opened, which is the book of life: and the dead were judged out of those things which were written in the books, according to their works.”
—Bible: New Testament Revelation 20:12.