Influences
In some respects, Cracker stories are structured like episodes of Columbo. They often begin by showing the criminal committing the crime, and so sidestep the whodunnit format which is the central attraction of many television crime dramas. Both series feature a lead character who solves crimes while masking an intelligent, perceptive nature behind a slobbish exterior; Fitz delivers his summing-up in "To Say I Love You" while doing a Peter Falk impression. However, while Lieutenant Columbo invariably solves each case to perfection, Fitz's involvement often only exacerbates the situation, for example leading police to arrest the wrong man ("One Day A Lemming Will Fly"), or unwittingly causing a serial rapist to murder his victim ("Men Should Weep").
Cracker's conception was also in some ways a reaction against the police procedural approach of fellow Granada crime serial Prime Suspect, placing more emphasis on emotional and psychological truth than on correct police procedure. In an interview with the NME, McGovern dismissed Prime Suspect, noting that "Good TV writing has narrative simplicity and emotional complexity," and characterising the series as "A narratively complex story going up its own arse." Gub Neal, who produced the first series of Cracker, is quoted as saying, "That we had adopted the right approach was confirmed for me when Jacky Malton, the senior woman police officer who advised on Prime Suspect, said that although the way things happened in Cracker was sometimes highly improbable, the relationships between the police were in many ways much more credible than they had been in Prime Suspect."
The "Men Should Weep" storyline was originally conceived as a plot for Prime Suspect, in which the series' protagonist, Jane Tennison, was raped.
Read more about this topic: Cracker (UK TV series)
Famous quotes containing the word influences:
“Do not seek anxiously to be developed, to subject yourself to many influences to be played on; it is all dissipation.”
—Henry David Thoreau (1817–1862)
“However diligent she may be, however dedicated, no mother can escape the larger influences of culture, biology, fate . . . until we can actually live in a society where mothers and children genuinely matter, ours is an essentially powerless responsibility. Mothers carry out most of the work orders, but most of the rules governing our lives are shaped by outside influences.”
—Mary Kay Blakely (20th century)
“Whoever influences the child’s life ought to try to give him a positive view of himself and of his world. The child’s future happiness and his ability to cope with life and relate to others will depend on it.”
—Bruno Bettelheim (20th century)