Country Dancing - Types

Types

The main forms of country dancing are: longways set, square set and circle dances. By the time of John Playford's "The English Dancing Master" (1651) it was a dance for everyone. The English term "Country Dance" was taken to France, probably after "Cogadh an Da Righ" 1689-90, which ended the Stuart dynastic rule of England and Scotland. It became became corrupted into "Contredanse", before being re-anglicised as contra-dance. Even in modern America the phrase "Contra Dance" is used alongside the more familiar term "square dance" or "barn dance".

The longways set was the most popular type of country dance in the first edition of Playford's book. A line of males faced a line of females "for as many as will". "Roger de Coverley" and "The Grand Old Duke of York" are among the most familiar examples of this kind of dance. By the 1820s it was considered old-fashioned in England, but continued to develop in Scotland.

The square set, or quadrille, was a group of 8 people, a couple along each side. "Les Lanciers" and the "Eightsome Reel" are among the most famous examples of this kind of dance. Dancing in square sets still survives in Ireland, under the name "set dancing" or "figure dancing".

Read more about this topic:  Country Dancing

Famous quotes containing the word types:

    The bourgeoisie loves so-called “positive” types and novels with happy endings since they lull one into thinking that it is fine to simultaneously acquire capital and maintain one’s innocence, to be a beast and still be happy.
    Anton Pavlovich Chekhov (1860–1904)

    Our children evaluate themselves based on the opinions we have of them. When we use harsh words, biting comments, and a sarcastic tone of voice, we plant the seeds of self-doubt in their developing minds.... Children who receive a steady diet of these types of messages end up feeling powerless, inadequate, and unimportant. They start to believe that they are bad, and that they can never do enough.
    Stephanie Martson (20th century)

    As for types like my own, obscurely motivated by the conviction that our existence was worthless if we didn’t make a turning point of it, we were assigned to the humanities, to poetry, philosophy, painting—the nursery games of humankind, which had to be left behind when the age of science began. The humanities would be called upon to choose a wallpaper for the crypt, as the end drew near.
    Saul Bellow (b. 1915)