Private Houses
The site has played an important role in the interpretation of Roman colonization during the Middle Republican period. The housing has been the subject of two extensive publications. One, by R. T. Scott (1993), deals with a series of small houses in the western part of the site. These occupy street frontages of around 8 metres, with open courtyard spaces and gardens in the rear. They bear a strong resemblance to similar houses of the 2nd century BC at Pompeii. On the forum, the House of Diana was excavated and restored between 1995 and 1999. It was published in full by E. Fentress (2004), and a detailed report on the stratigraphy is available on the web (http://www.press.umich.edu/webhome/cosa/home.html) This was a much larger house, on a standard atrium plan, very similar to that of the House of Sallust in Pompeii. Built around 170 BC, it was entirely rebuilt in the Augustan period, from which we have a fine series of frescoes and mosaics. In the 50s, it seems to have become the house of Lucius Titinius Glaucus Lucretianus, and a small sanctuary to the goddess Diana was added in the rear garden.
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Famous quotes containing the words private and/or houses:
“For it is a fire that, kindling its first embers in the narrow nook of a private bosom, caught from a wandering spark out of another private heart, glows and enlarges until it warms and beams upon multitudes of men and women, upon the universal heart of all, and so lights up the whole world and all nature with its generous flames.”
—Ralph Waldo Emerson (1803–1882)
“He hung out of the window a long while looking up and down the street. The world’s second metropolis. In the brick houses and the dingy lamplight and the voices of a group of boys kidding and quarreling on the steps of a house opposite, in the regular firm tread of a policeman, he felt a marching like soldiers, like a sidewheeler going up the Hudson under the Palisades, like an election parade, through long streets towards something tall white full of colonnades and stately. Metropolis.”
—John Dos Passos (1896–1970)