Corriere Della Sera - History

History

Corriere della Sera was founded on Sunday 5 March 1876 by Eugenio Torelli Viollier. In the 1910s and 1920s, under the direction of Luigi Albertini, it became the most widely read newspaper in Italy, maintaining its importance and influence into the present century.

The newspaper's offices have been in the same buildings since the beginning of the 20th century, and therefore it is popularly known as "the Via Solferino newspaper", for the name of the street where it is still located. As the name indicates, it was originally an evening paper.

The Italian novelist Dino Buzzati was a journalist at the Corriere, as were many other leading Italian writers and intellectuals, including Eugenio Montale, Italo Calvino, Pier Paolo Pasolini, Oriana Fallaci and Indro Montanelli. The "third page" (a page once entirely dedicated to culture, in the Italian tradition) contained a main article, named elzeviro, which has been signed by all the editors and the major novelists, poets and journalists of the country.

In the 1960s the Corriere became part of the Rizzoli group, listed in the Italian stock exchange. Its main shareholders are Mediobanca, the Fiat group and some of the biggest industrial and financial groups in Italy.

In 1981 the newspaper was involved in the P2 scandal; the secret Italian Freemason lodge had the newspaper's editor Franco Di Bella and the former owner Angelo Rizzoli on its member lists.

Read more about this topic:  Corriere Della Sera

Famous quotes containing the word history:

    In every election in American history both parties have their clichés. The party that has the clichés that ring true wins.
    Newt Gingrich (b. 1943)

    Racism is an ism to which everyone in the world today is exposed; for or against, we must take sides. And the history of the future will differ according to the decision which we make.
    Ruth Benedict (1887–1948)

    Postmodernism is, almost by definition, a transitional cusp of social, cultural, economic and ideological history when modernism’s high-minded principles and preoccupations have ceased to function, but before they have been replaced with a totally new system of values. It represents a moment of suspension before the batteries are recharged for the new millennium, an acknowledgment that preceding the future is a strange and hybrid interregnum that might be called the last gasp of the past.
    Gilbert Adair, British author, critic. Sunday Times: Books (London, April 21, 1991)