Culture
The Cork School of Music and the Crawford College of Art and Design provide a throughput of new blood, as do the active theatre components of several courses at University College Cork (UCC). Highlights include: Corcadorca Theatre Company, of which Cillian Murphy was a troupe member prior to Hollywood fame; Cork Film Festival, a supporter of the art of the short film; The Institute for Choreography and Dance, a national contemporary dance resource; the Triskel Arts Centre; Cork Jazz Festival; the Cork Academy of Dramatic Art (CADA), and the Graffiti Theatre Company. The Everyman Palace Theatre and the Granary Theatre both play host to dramatic plays throughout the year.
Cork is home to the RTÉ Vanbrugh Quartet, and to many musical acts, including John Spillane, The Frank And Walters, Sultans Of Ping, Simple Kid and the late Rory Gallagher. Singer songwriter Cathal Coughlan and Sean O'Hagan of The High Llamas also hail from Cork. The opera singers Cara O'Sullivan, Mary Hegarty, Brendan Collins, and Sam McElroy are also Cork born. The short story writers Frank O'Connor and Sean O'Faoláin hailed from Cork. Contemporary writers include Thomas McCarthy, Gerry Murphy, and novelist and poet William Wall. There is a thriving literary community centring on The Munster Literature Centre and the Triskel Arts Centre.
Cork has been gaining cultural diversity for many years as a result of immigration, from Western Europe (particularly France and Spain) in the mid to late nineties, and more recently from Eastern European countries such as Poland, Lithuania, Latvia, Slovakia, Hungary, etc. and in small amount from various African and Asian nations. This is reflected in the recent growth of multi-cultural restaurants and shops, including specialist shops for East-European or Middle-Eastern food, Chinese and Thai restaurants, French patisseries, Indian buffets, and Middle Eastern kebab houses. Cork saw significant Jewish immigration from Lithuania and Russia in the late 19th century. Jewish citizens such as Gerald Goldberg (several times Lord Mayor), David Marcus (novelist) and Louis Marcus (documentary maker) played important roles in 20th century Cork. Today, the Jewish community is relatively small in population, although the city still has a Jewish quarter and synagogue. Cork also features various Christian churches, as well as a mosque. Some Catholic masses around the city are said in Polish, Filipino, Lithuanian, Romanian and other languages, in addition to the traditional Latin and local Irish and English languages.
Recent additions to the arts infrastructure include modern additions to Cork Opera House and the Crawford Municipal Art Gallery. The new Lewis Glucksman Gallery opened in the Autumn of 2004 at UCC, was nominated for the Stirling Prize in the United Kingdom, and the building of a new €60 million School of Music was completed in September 2007. Construction of the €50 million Brookfield UCC Medical School complex was completed in 2005.
Cork was the European Capital of Culture for 2005, and in 2009 was included in the Lonely Planet's top 10 "Best in Travel 2010". The guide described Cork as being "at the top of its game: sophisticated, vibrant and diverse".
There is a rivalry between Cork and Dublin, similar to the rivalry between London and Manchester, Sydney and Melbourne or Madrid and Barcelona. Corkonians generally view themselves as different to the rest of Ireland, and refer to themselves as "The Rebels"; the county is known as the Rebel County. This distinctly Corkonian view has in recent years manifested itself in humorous references to the region as The People's Republic of Cork. Citizens of the Real Capital can be seen adorning themselves with t-shirts and other items which celebrate The People's Republic of Cork, printed in various languages, including English, Irish, Polish, Spanish and Italian.
Read more about this topic: Cork (city)
Famous quotes containing the word culture:
“Both cultures encourage innovation and experimentation, but are likely to reject the innovator if his innovation is not accepted by audiences. High culture experiments that are rejected by audiences in the creator’s lifetime may, however, become classics in another era, whereas popular culture experiments are forgotten if not immediately successful. Even so, in both cultures innovation is rare, although in high culture it is celebrated and in popular culture it is taken for granted.”
—Herbert J. Gans (b. 1927)
“Any historian of the literature of the modern age will take virtually for granted the adversary intention, the actually subversive intention, that characterizes modern writing—he will perceive its clear purpose of detaching the reader from the habits of thought and feeling that the larger culture imposes, of giving him a ground and a vantage point from which to judge and condemn, and perhaps revise, the culture that produces him.”
—Lionel Trilling (1905–1975)
“The time will come when the evil forms we have known can no more be organized. Man’s culture can spare nothing, wants all material. He is to convert all impediments into instruments, all enemies into power.”
—Ralph Waldo Emerson (1803–1882)