Conrad Hall - Early Life and Career

Early Life and Career

Born in Papeete, Tahiti, French Polynesia, Hall was the son of writer James Norman Hall and Sarah (Lala) Winchester Hall, who was part-Polynesian. Hall attended the University of Southern California, intending to study journalism, but drifted instead to the university's cinema school, from which he graduated in 1949. He worked on documentaries, in television (The Outer Limits) and minor films (including cult classic Incubus), and as a studio camera operator before moving up to cinematographer in major studio films in the mid-1960s.

Hall received three Academy Awards for Best Cinematography for Butch Cassidy and the Sundance Kid (1969), American Beauty (1999), and Road to Perdition (2002) (the last two directed by friend Sam Mendes, who dedicated Road to Perdition to Hall). The thirty-year gap between his first two Oscars is a record for this award.

Additionally, Hall was nominated for Morituri (1965), The Professionals (1966), In Cold Blood (1967), The Day of the Locust (1975), Tequila Sunrise (1988), Searching for Bobby Fischer (1993), and A Civil Action (1998). Other credits include Divorce American Style (1967), Cool Hand Luke (1967), Marathon Man (1976) and Love Affair (1994).

Read more about this topic:  Conrad Hall

Famous quotes containing the words early, life and/or career:

    It is not too much to say that next after the passion to learn there is no quality so indispensable to the successful prosecution of science as imagination. Find me a people whose early medicine is not mixed up with magic and incantations, and I will find you a people devoid of all scientific ability.
    Charles Sanders Peirce (1839–1914)

    What I call middle-class society is any society that becomes rigidified in predetermined forms, forbidding all evolution, all gains, all progress, all discovery. I call middle-class a closed society in which life has no taste, in which the air is tainted, in which ideas and men are corrupt. And I think that a man who takes a stand against this death is in a sense a revolutionary.
    Frantz Fanon (1925–1961)

    He was at a starting point which makes many a man’s career a fine subject for betting, if there were any gentlemen given to that amusement who could appreciate the complicated probabilities of an arduous purpose, with all the possible thwartings and furtherings of circumstance, all the niceties of inward balance, by which a man swings and makes his point or else is carried headlong.
    George Eliot [Mary Ann (or Marian)