Concrete (comics)

Concrete (comics)

Concrete is a comic book series created and written by Paul Chadwick and published by Dark Horse Comics. His first appearance is Dark Horse Presents #1 (July, 1986). The eponymous central character is a normal man whose brain was transplanted into a large, stone body by aliens, and who lives an extraordinary life on Earth following his escape.

The Concrete series focuses on realism. Apart from the aliens (which disappear in the origin issue and are never heard from again) and Concrete's own high-tech artificial body (which includes superhuman sight), there are no supernatural or science-fiction elements to any stories.

The hero tries to use his body for noble endeavors, such as helping out on a family farm. Later, Concrete climbs Mount Everest, becomes involved with a group of hardline environmental militants, and reluctantly agrees to become the spokesperson of a campaign to voluntarily reduce the Earth's population.

Concrete's sexuality is addressed in the series. An artist at heart, he collects paintings of female nudes. He is notably embarrassed at his lack of sexual organs; this is often the subject of hurtful jokes thrown his way.

Real-world physics apply to Concrete. Examples include Concrete breaking objects by sitting on them, or Concrete being shot forward from a braking car, due to the momentum of his large body. He is constantly breaking telephones and doorknobs, and must hire an assistant Larry Munro, because his hands are too clumsy to handle a pen.

The series makes frequent use of thought balloons, showing characters' interior thoughts and feelings.

In addition to the comic, Paul Chadwick has drawn Concrete in many paintings. Most show the character wandering in nature, perhaps looking at a flower or some other natural curiosity.


Read more about Concrete (comics):  Character History, Awards and Recognition, Collections

Famous quotes containing the word concrete:

    A sociosphere of contact, control, persuasion and dissuasion, of exhibitions of inhibitions in massive or homeopathic doses...: this is obscenity. All structures turned inside out and exhibited, all operations rendered visible. In America this goes all the way from the bewildering network of aerial telephone and electric wires ... to the concrete multiplication of all the bodily functions in the home, the litany of ingredients on the tiniest can of food, the exhibition of income or IQ.
    Jean Baudrillard (b. 1929)