Computer Art Scene - Underground Status

Underground Status

Despite the fact that contributors to the artscene can be found worldwide, the scene continues to remain detached from mainstream bbs and internet culture. This can be seen as a result of the artscene's early affiliations with hacker and software piracy (warez) organizations. As early demoscene groups were organized by cracktros coders, artscene members were often found designing the .nfo files detailing warez releases. In addition much of the ansi art provided for warez bbs's were drawn by future members of the artscene. Prior to the popularity of the internet in the 1990s, the most efficient way to distribute software and files across bbs's was via a courier system. Both the warez scene and the artscene utilized this system, and in many cases warez couriers could be found distributing monthly artpacks.

In addition to connection that the various underground groups had, a common attitude and relationship between scene members developed. The general belief that "newbies are lame" and "veterans are elite", as well as the use of leetspeek, created an environment that was sometimes difficult for new members to affiliate with. In particular, many artsceners' distrust and bitterness towards new America Online users in the 1990s may have eroded the possibility for a wider membership base and audience for the artscene.

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Famous quotes containing the words underground and/or status:

    Or as, when an underground train, in the tube, stops too long between stations
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    Leaving only the growing terror of nothing to think about....
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    Knowing how beleaguered working mothers truly are—knowing because I am one of them—I am still amazed at how one need only say “I work” to be forgiven all expectation, to be assigned almost a handicapped status that no decent human being would burden further with demands. “I work” has become the universally accepted excuse, invoked as an all-purpose explanation for bowing out, not participating, letting others down, or otherwise behaving inexcusably.
    Melinda M. Marshall (20th century)