Community Arts
Community Art could be loosely defined as a way of creating art in which professional artists collaborate more or less intensively with people who don't normally actively engage in the arts. Community arts, also sometimes known as "dialogical art", "community-engaged" or "community-based art," refers to artistic activity based in a community setting. Works from this genre can be of any art forms and is characterized by interaction or dialogue with the community. The term was defined in the late-1960s and spawned a movement which grew in the United States, Canada, the UK, Ireland, and Australia.
Often community art is based in deprived areas, with a community oriented, grassroots approach. Members of a local community will come together to express concerns or issues through an artistic process, sometimes this may involve professional artists or actors. These communal artistic processes act as a catalyst to trigger events or changes within a community or even at a national or international level.
In English-speaking countries community art is often seen as the work of community arts centre. Visual arts (fine art, video, new media art), music, and theater are common mediums in community art centers. Many arts companies in the UK do some community-based work, which typically involves developing participation by non-professional members of local communities.
Read more about Community Arts: Community Art and Public Art, Online Community Art, Community Theatre, Key Artists
Famous quotes containing the words community and/or arts:
“The community and family networks which helped sustain earlier generations have become scarcer for growing numbers of young parents. Those who lack links to these traditional sources of support are hard-pressed to find other resources, given the emphasis in our society on providing treatment services, rather than preventive services and support for health maintenance and well-being.”
—Bernice Weissbourd (20th century)
“If we will admit time into our thoughts at all, the mythologies, those vestiges of ancient poems, wrecks of poems, so to speak, the worlds inheritance,... these are the materials and hints for a history of the rise and progress of the race; how, from the condition of ants, it arrived at the condition of men, and arts were gradually invented. Let a thousand surmises shed some light on this story.”
—Henry David Thoreau (18171862)