History
Circa 1961, enterprising fans including Jerry Bails, Shel Dorf, Bernie Bubnis, and future Marvel Comics editor-in-chief Roy Thomas began following the pattern of the long-established science fiction fandom by publishing fanzines, corresponding with one another and with comic-book editors (most notably DC Comics' Julius Schwartz), and eventually arranging informal and later professional, commercial conventions. Among the first were the 1964 New York Comicon and that same year's Detroit Triple Fan Fair. The only previously known comics fandom, for the 1950s' EC Comics, did not progress so far along.
As Seuling described his convention's genesis, "In 1964, about a hundred people found themselves in a New York City union meeting hall, a large open room with wooden folding chairs, looking around at each other oddly, surprised, not really knowing what they were there for, a bit sheepish, waiting for whatever was going to take place to begin. ... It was the first comics convention ever hat one-day assembly ... grew step by step into an annual tradition in New York and then elsewhere. In 1968, I became involved in my first convention. The following year began the current series called the Comic Art Convention".
That 1969 convention, held Independence Day weekend at the Statler Hilton Hotel in New York City, cost $3.50 for a three-day ticket, with daily passes at $1.50. Admittance was free with a hotel room rental, which cost $15-and-up per day.
Read more about this topic: Comic Art Convention
Famous quotes containing the word history:
“Free from public debt, at peace with all the world, and with no complicated interests to consult in our intercourse with foreign powers, the present may be hailed as the epoch in our history the most favorable for the settlement of those principles in our domestic policy which shall be best calculated to give stability to our Republic and secure the blessings of freedom to our citizens.”
—Andrew Jackson (1767–1845)
“It’s a very delicate surgical operation—to cut out the heart without killing the patient. The history of our country, however, is a very tough old patient, and we’ll do the best we can.”
—Dudley Nichols, U.S. screenwriter. Jean Renoir. Sorel (Philip Merivale)
“No one can understand Paris and its history who does not understand that its fierceness is the balance and justification of its frivolity. It is called a city of pleasure; but it may also very specially be called a city of pain. The crown of roses is also a crown of thorns. Its people are too prone to hurt others, but quite ready also to hurt themselves. They are martyrs for religion, they are martyrs for irreligion; they are even martyrs for immorality.”
—Gilbert Keith Chesterton (1874–1936)