Columbia University Press is a university press based in New York City, and affiliated with Columbia University. It is currently directed by James D. Jordan (2004-present) and publishes titles in the humanities and sciences, including the fields of literary and cultural studies, history, social work, sociology, religion, film, and international studies. Founded in 1893, Columbia University Press is notable among prestigious American academic presses for publishing reference works, such as The Columbia Encyclopedia (1935-present), The Columbia Granger's Index to Poetry (online as The Columbia World of Poetry Online) and The Columbia Gazetteer of the World (also online) and for publishing music. Other distinctions of its list include series of translations into English of classics in Asian languages, a number of them growing out of support by the Press of programs of instruction and research by Columbia's faculty in these fields. First among American university presses to publish in electronic formats, the Press founded an online-only site, Columbia International Affairs Online (CIAO) and Columbia Earthscape.
Famous quotes containing the words columbia university, columbia, university and/or press:
“The young women, what can they not learn, what can they not achieve, with Columbia University annex thrown open to them? In this great outlook for women’s broader intellectual development I see the great sunburst of the future.”
—M. E. W. Sherwood (1826–1903)
“The young women, what can they not learn, what can they not achieve, with Columbia University annex thrown open to them? In this great outlook for women’s broader intellectual development I see the great sunburst of the future.”
—M. E. W. Sherwood (1826–1903)
“Like dreaming, reading performs the prodigious task of carrying us off to other worlds. But reading is not dreaming because books, unlike dreams, are subject to our will: they envelop us in alternative realities only because we give them explicit permission to do so. Books are the dreams we would most like to have, and, like dreams, they have the power to change consciousness, turning sadness to laughter and anxious introspection to the relaxed contemplation of some other time and place.”
—Victor Null, South African educator, psychologist. Lost in a Book: The Psychology of Reading for Pleasure, introduction, Yale University Press (1988)
“An art whose limits depend on a moving image, mass audience, and industrial production is bound to differ from an art whose limits depend on language, a limited audience, and individual creation. In short, the filmed novel, in spite of certain resemblances, will inevitably become a different artistic entity from the novel on which it is based.”
—George Bluestone, U.S. educator, critic. “The Limits of the Novel and the Limits of the Film,” Novels Into Film, Johns Hopkins Press (1957)