Colonial Day - Connections To Other Series Elements

Connections To Other Series Elements

  • In a podcast accompanying the episode, Moore compared the process of appointing the Vice President of the Colonies portrayed in "Colonial Day" to the process by which Gerald Ford became Vice President of the United States in 1973 following the resignation of Spiro Agnew. Moore said that under normal circumstances the Vice President would "presumably" be elected together with the President. The question of how the Vice President of the Colonies is normally chosen in-universe is resolved in the second-season double episode "Lay Down Your Burdens", when Zarek is elected Vice President as Baltar's running mate.
  • Starbuck and Baltar dance together at the Colonial Day celebration. In the first scene of the following episode, "Kobol's Last Gleaming", they have a one-night stand that ends abruptly when Kara calls out Lee's name. The writers intended the sexual tension evident between Lee and Kara in this episode to contrast with this.
  • During the first Quorum meeting, Head Six tells Baltar she doesn't mind if he has sex with other women. Baltar has trysts with journalist Playa Palacios later in "Colonial Day" and then with Kara Thrace in the following episode, "Kobol's Last Gleaming". Head Six reacts negatively to the latter encounter.
  • Adama and Roslin's closeness in this episode contrasts with the events of "Kobol's Last Gleaming", in which Adama mounts a coup and throws Roslin in the brig. Their mutual attraction becomes a sexual relationship by the fourth-season episode "A Disquiet Follows My Soul".

Read more about this topic:  Colonial Day

Famous quotes containing the words connections, series and/or elements:

    I have no connections here; only gusty collisions,
    rootless seedlings forced into bloom, that collapse.
    ...
    I am the Visiting Poet: a real unicorn,
    a wind-up plush dodo, a wax museum of the Movement.
    People want to push the buttons and see me glow.
    Marge Piercy (b. 1936)

    The woman’s world ... is shown as a series of limited spaces, with the woman struggling to get free of them. The struggle is what the film is about; what is struggled against is the limited space itself. Consequently, to make its point, the film has to deny itself and suggest it was the struggle that was wrong, not the space.
    Jeanine Basinger (b. 1936)

    Our institutions have a potent digestion, and may in time convert and assimilate to good all elements thrown in, however originally alien.
    Herman Melville (1819–1891)