Stylistic Development
Until the last quarter of the 17th century hour markings were etched into metal faces and the recesses filled with black wax. Subsequently, higher contrast and improved readability was achieved with white enamel plaques painted with black numbers. Initially, the numbers were printed on small, individual plaques mounted on a brass substructure. This was not a stylistic decision, rather enamel production technology had not yet achieved the ability to create large pieces of enamel. The "13 piece face" was an early attempt to create an entirely white enamel face. As the name suggests, it was composed of 13 enamel plaques: 12 numbered wedges fitted around a circle. The first single piece enamel faces, not unlike those in production today, began to appear c. 1735.
Read more about this topic: Clock Face
Famous quotes containing the words stylistic and/or development:
“Simile and Metaphor differ only in degree of stylistic refinement. The Simile, in which a comparison is made directly between two objects, belongs to an earlier stage of literary expression; it is the deliberate elaboration of a correspondence, often pursued for its own sake. But a Metaphor is the swift illumination of an equivalence. Two images, or an idea and an image, stand equal and opposite; clash together and respond significantly, surprising the reader with a sudden light.”
—Sir Herbert Read (18931968)
“The work of adult life is not easy. As in childhood, each step presents not only new tasks of development but requires a letting go of the techniques that worked before. With each passage some magic must be given up, some cherished illusion of safety and comfortably familiar sense of self must be cast off, to allow for the greater expansion of our distinctiveness.”
—Gail Sheehy (20th century)