Cleveland Play House - History

History

In the early 1900s Cleveland theatre featured mostly vaudeville, melodrama, burlesque and light entertainment. But a select group of eight Clevelanders, among them Charles and Minerva Brooks, sought plays of substance on timely topics. Together, they formed Cleveland Play House. They found a home in a farmhouse donated by Cleveland’s industrialist Francis Drury located at East 85th and Euclid Avenue which ultimately became the site of a long-lasting home of CPH.

Founded in 1915, Cleveland Play House is America’s first permanently established professional theatre company. It was founded midway through a decade of cultural renaissance in Cleveland. Through a partnership of idealistic vision and philanthropic largess, many of Cleveland’s major cultural organizations were formed between 1910 and 1920—Cleveland Music School Settlement, Karamu House, the Cleveland Museum of Art, the Cleveland Orchestra, the Cleveland Institute of Music and the Museum of Natural History.

This Cleveland Play House facility, built in 1927, housed the Brooks Theatre and the Drury Theatre. To accommodate its growth, CPH in 1949 opened the 77th Street Theatre in a converted church, which featured America’s first open stage – the forerunner of the thrust stage that was popularized in the 1950s and 1960s. In the 1980s, the 77th Street Theatre was closed, Cleveland Play House purchased the Sears building and the world-renown architect Philip Johnson designed significant additions for the complex, including the Bolton Theatre. With the 1927 buildings, the Sears building and the Johnson buildings taken together, the complex for CPH became the largest regional theatre complex in the country.

Read more about this topic:  Cleveland Play House

Famous quotes containing the word history:

    I believe that in the history of art and of thought there has always been at every living moment of culture a “will to renewal.” This is not the prerogative of the last decade only. All history is nothing but a succession of “crises”Mof rupture, repudiation and resistance.... When there is no “crisis,” there is stagnation, petrification and death. All thought, all art is aggressive.
    Eugène Ionesco (b. 1912)

    Psychology keeps trying to vindicate human nature. History keeps undermining the effort.
    Mason Cooley (b. 1927)

    While the Republic has already acquired a history world-wide, America is still unsettled and unexplored. Like the English in New Holland, we live only on the shores of a continent even yet, and hardly know where the rivers come from which float our navy.
    Henry David Thoreau (1817–1862)