The cinema of the Soviet Union, not to be confused with "Cinema of Russia" despite Russian language films being predominant in both genres, includes several film contributions of the constituent republics of the Soviet Union reflecting elements of their pre-Soviet culture, language and history, although sometimes censored by the Central Government. Most notable for their republican cinema were the Russian SFSR, Armenian SSR, Azerbaijan SSR, Georgian SSR, Ukrainian SSR, and, to a lesser degree, Lithuanian SSR, Byelorussian SSR and Moldavian SSR. At the same time, the nation's film industry, which was fully nationalized throughout most of the country's history, was guided by philosophies and laws propounded by the monopoly Soviet Communist Party which introduced a new view on the cinema, socialist realism, which was different from the one before or after the existence of the Soviet Union.
Read more about Cinema Of The Soviet Union: Historical Outline, Censorship, Revolution and Civil War, 1920s, 1930s, 1940s, 1950s, 1960s-70s, 1980s, Soviet Films, Notable Filmmakers, Soviet Studios
Famous quotes containing the words soviet union, cinema, soviet and/or union:
“Today he plays jazz; tomorrow he betrays his country.”
—Stalinist slogan in the Soviet Union (1920s)
“Talking about dreams is like talking about movies, since the cinema uses the language of dreams; years can pass in a second and you can hop from one place to another. It’s a language made of image. And in the real cinema, every object and every light means something, as in a dream.”
—Frederico Fellini (1920–1993)
“There is no Soviet domination of Eastern Europe and there never will be under a Ford administration.... The United States does not concede that those countries are under the domination of the Soviet Union.”
—Gerald R. Ford (b. 1913)
“The only hope of socialism resides in those who have already brought about in themselves, as far as is possible in the society of today, that union between manual and intellectual labor which characterizes the society we are aiming at.”
—Simone Weil (1909–1943)