The Later Silent Era (1930-1935)
The first half of the 1930s saw a decline in the domestic film industry in Korea. Due largely to censorship and oppression from the occupying authorities, the number of films produced at this time dropped down to only two or three per year, and some filmmakers fled Korea for the more robust film industry in Shanghai at this time.
Perhaps the most important film of this era is Imjaeobtneun naleutbae (Ferryboat with no Ferryman) (1932), directed by Lee Gyu-hwan (1904–1981), and starring Na Woon-gyu. Because of increasing governmental censorship, this has been called the last pre-liberation film to present a significant nationalistic message.
Read more about this topic: Cinema Of Korea
Famous quotes containing the words silent and/or era:
“How insupportable would be the days, if the night with its dews and darkness did not come to restore the drooping world. As the shades begin to gather around us, our primeval instincts are aroused, and we steal forth from our lairs, like the inhabitants of the jungle, in search of those silent and brooding thoughts which are the natural prey of the intellect.”
—Henry David Thoreau (18171862)
“The era of the political was one of anomie: crisis, violence, madness and revolution. The era of the transpolitical is that of anomaly: an aberration of no consequence, contemporaneous with the event of no consequence.”
—Jean Baudrillard (b. 1929)