Generation Independent Movement
There is a growing number of independent post-Sixth Generation filmmakers making films for extremely low budgets and using digital equipment. They are the so-called dGeneration (for digital). These films, like those from Sixth Generation filmmakers, are mostly made outside of the Chinese film system and are played mostly on the international film festival circuit. Ying Liang and Jian Yi are two of these dGeneration filmmakers. Ying's Taking Father Home (2005) and The Other Half (2006) are both representative of the dGeneration trends of feature film. Liu Jiayin made two dGeneration feature films Oxhide (2004) and Oxhide II (2010), blurring the line between documentary and narrative film. Oxhide, made by Liu when she was just a film student, frames herself and her parents in their claustrophobic Beijing apartment in a sly, wickedly funny narrative much praised by critics Tony Rayns and Shelly Kraicer.
Read more about this topic: Cinema Of China
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—Women’s Liberation Workshop, Students for a Democratic Society, Radical political/social activist organization. “Liberation of Women,” in New Left Notes (July 10, 1967)