Production
"Chuck Versus the Undercover Lover" was one of two episodes aired on January 24 to close out the season. It was run at 8pm EST, followed by an episode of The Apprentice, with the second episode of Chuck, "Chuck Versus the Marlin", airing at 10pm. These were the last two episodes completed by the time of the 2007 Writers' Strike, which interrupted production of the series. Although Chuck received a full, 22-episode pickup for the rest of the season, Josh Schwartz elected to end with the episodes already filmed rather than restart production.
This was the first episode to reveal significant details of John Casey's personal life. Bosnian actress Ivana Milicevic was cast in the role of Casey's former girlfriend Ilsa Trinchina, whom he believed was killed in a bombing in Chechnya. Josh Schwartz stated in interviews that this episode would provide a glimpse into what makes Casey, Casey, showing that Ilsa'a apparent death profoundly affected his personality.
Read more about this topic: Chuck Versus The Undercover Lover
Famous quotes containing the word production:
“It is part of the educator’s responsibility to see equally to two things: First, that the problem grows out of the conditions of the experience being had in the present, and that it is within the range of the capacity of students; and, secondly, that it is such that it arouses in the learner an active quest for information and for production of new ideas. The new facts and new ideas thus obtained become the ground for further experiences in which new problems are presented.”
—John Dewey (1859–1952)
“The problem of culture is seldom grasped correctly. The goal of a culture is not the greatest possible happiness of a people, nor is it the unhindered development of all their talents; instead, culture shows itself in the correct proportion of these developments. Its aim points beyond earthly happiness: the production of great works is the aim of culture.”
—Friedrich Nietzsche (1844–1900)
“An art whose limits depend on a moving image, mass audience, and industrial production is bound to differ from an art whose limits depend on language, a limited audience, and individual creation. In short, the filmed novel, in spite of certain resemblances, will inevitably become a different artistic entity from the novel on which it is based.”
—George Bluestone, U.S. educator, critic. “The Limits of the Novel and the Limits of the Film,” Novels Into Film, Johns Hopkins Press (1957)