Chromogenic Color Print
Chromogenic color prints are full-color photographic prints made using chromogenic materials and processes. These prints may be produced from an original which is a color negative, slide, or digital image. The chromogenic print process, was nearly synonymous with the 20th century color snapshot. It is the most common type of color photographic printing.
The first commercially available chromogenic print process was Kodacolor, introduced by Kodak in January 1942. Kodak introduced a chromogenic paper with the name Type-C in the 1950s, and then discontinued the name several years later. The terminology Type-C and C-print have remained in popular use since this time. The chemistry used to develop chromogenic prints today is known as RA-4. As of 2010, the major lines of professional chromogenic print paper are Kodak Endura and Fujifilm Crystal Archive. Plastic chromogenic "papers" such as Kodak Duratrans and Duraclear are used for producing backlit advertising and art.
The class of colour photographic processes known as chromogenic are characterized by a reaction between two chemicals to create the color dyes that make up a photographic image. Chromogenic color images are composed of three main dye layers—cyan, magenta, and yellow—that together form a full color image. The light sensitive material in each layer is a silver halide emulsion—just like black and white papers. After exposure, the silver image is developed (or reduced) by a special color developer. In this reaction, the color developer in the areas of exposed silver are oxidized, and then react with another chemical, the dye coupler, which is present throughout the emulsion. This is the chromogenic reaction—the union of the oxidized developer and the dye coupler form a color dye. Different dye couplers are used in each of three layers, so this same reaction forms a different colored dye in each layer. Responding to both exposure and development, a blue-light sensitive layer forms yellow dye, a green-light sensitive layer forms magenta dye, and a red-light sensitive layer forms cyan dye. A series of processing steps follow, which remove the remaining silver and silver compounds, leaving a color image composed of dyes in three layers. The exposure of a chromogenic print may be accomplished with a traditional photographic enlarger using color filters to adjust the color balance of the print.
A Type R print refers to a positive-to-positive photographic print made on reversal-type color photographic paper.
Fujifilm, Kodak, and Agfa have historically manufactured paper and chemicals for the R-3 process, a chromogenic process for making Type R prints. As of late 2008, all of these companies have ceased to produce Type R paper, although Fujifilm still has some stocks remaining.
Another positive-to-positive process is Ilfochrome, which is sometimes also referred to as a Type R process. Ilfochrome is a dye destruction process, with materials, processing, and results quite different from the R-3 process.
Read more about Chromogenic Color Print: Digital C-Type Printing
Famous quotes containing the words color and/or print:
“All our Concord waters have two colors at least; one when viewed at a distance, and another, more proper, close at hand.... Walden is blue at one time and green at another, even from the same point of view. Lying between the earth and the heavens, it partakes of the color of both.”
—Henry David Thoreau (18171862)
“It will be the mistake of your life if you go into print in your own defence [sic]. Your denial will reach a new set of people and start them to talking, while the ones who read the original charges will never see the refutation of them.”
—Susan B. Anthony (18201906)