Synthesis
Synthesis of chromium carbide can be achieved through mechanical alloying. In this type of process metallic chromium and pure carbon in the form of graphite are loaded into a ball mill and ground into a fine powder. After the components have been ground they are pressed into a pellet and subjected to hot isostatic pressing. Hot isostatic pressing utilizes an inert gas, primarily argon, in a sealed oven. This pressurized gas applies pressure to the sample from all directions while the oven is heated. The heat and pressure cause the graphite and metallic chromium to react with one another and form chromium carbide. Decreasing the percentage of carbon content in the initial mixture results in an increase in the yield of the Cr7C3, and Cr23C6 forms of chromium carbide.
Another method for the synthesis of chromium carbide utilizes chromium oxide, pure aluminum, and graphite in a self-propagating exothermic reaction that proceeds as follows:
-
- 3Cr2O3 + 6Al + 4C → 2Cr3C2 + 3Al2O3
In this method the reactants are ground and blended in a ball mill. The blended powder is then pressed into a pellet and placed under an inert atmosphere of argon. The sample is then heated. A heated wire, a spark, a laser, or an oven may provide the heat. The exothermic reaction is initiated, and the resulting heat propagates the reaction throughout the rest of the sample.
Read more about this topic: Chromium Carbide
Famous quotes containing the word synthesis:
“The spider-mind acquires a faculty of memory, and, with it, a singular skill of analysis and synthesis, taking apart and putting together in different relations the meshes of its trap. Man had in the beginning no power of analysis or synthesis approaching that of the spider, or even of the honey-bee; but he had acute sensibility to the higher forces.”
—Henry Brooks Adams (18381918)
“Our art is the finest, the noblest, the most suggestive, for it is the synthesis of all the arts. Sculpture, painting, literature, elocution, architecture, and music are its natural tools. But while it needs all of those artistic manifestations in order to be its whole self, it asks of its priest or priestess one indispensable virtue: faith.”
—Sarah Bernhardt (18451923)
“It is in this impossibility of attaining to a synthesis of the inner life and the outward that the inferiority of the biographer to the novelist lies. The biographer quite clearly sees Peel, say, seated on his bench while his opponents overwhelm him with perhaps undeserved censure. He sees him motionless, miserable, his head bent on his breast. He asks himself: What is he thinking? and he knows nothing.”
—Andre Maurois (18851967)