Christopher Hampton - Career

Career

Hampton became involved in the theatre while at Oxford University where OUDS performed his play When Did You Last See My Mother?, about adolescent homosexuality, reflecting his own experiences at Lancing. Hampton sent the work to the play agent Peggy Ramsay, who interested William Gaskill in it. The play was performed at the Royal Court Theatre in London, and that production soon transferred to the Comedy Theatre, resulting in Hampton, in 1966, becoming the youngest writer to have a play performed in the West End in the modern era. From 1968-70 he worked as the Resident Dramatist at the Royal Court Theatre, and also as the company's literary manager.

Hampton won the Academy Award for Best Adapted Screenplay in 1988 for the screen adaptation of his play Dangerous Liaisons. He was nominated again in 2007 for adapting Ian McEwan's novel Atonement.

Hampton's translation into English of Michael Kunze and Sylvester Levay's Austrian musical Rebecca, based on Daphne du Maurier's book, premiered on Broadway on April 22, 2012.

Read more about this topic:  Christopher Hampton

Famous quotes containing the word career:

    He was at a starting point which makes many a man’s career a fine subject for betting, if there were any gentlemen given to that amusement who could appreciate the complicated probabilities of an arduous purpose, with all the possible thwartings and furtherings of circumstance, all the niceties of inward balance, by which a man swings and makes his point or else is carried headlong.
    George Eliot [Mary Ann (or Marian)

    I seemed intent on making it as difficult for myself as possible to pursue my “male” career goal. I not only procrastinated endlessly, submitting my medical school application at the very last minute, but continued to crave a conventional female role even as I moved ahead with my “male” pursuits.
    Margaret S. Mahler (1897–1985)

    Whether lawyer, politician or executive, the American who knows what’s good for his career seeks an institutional rather than an individual identity. He becomes the man from NBC or IBM. The institutional imprint furnishes him with pension, meaning, proofs of existence. A man without a company name is a man without a country.
    Lewis H. Lapham (b. 1935)