Work
His work often deals critically with issues of child abuse, Roman Catholic dogma and culture, and homosexuality.
His plays have been performed nationwide, including on Broadway and Off-Broadway. His works include Sister Mary Ignatius Explains It All For You, Beyond Therapy, Baby With the Bathwater, The Nature and Purpose of the Universe, Titanic, A History of the American Film, The Idiots Karamazov, The Marriage of Bette and Boo, Laughing Wild, 'Dentity Crisis, The Actor's Nightmare, The Vietnamization of New Jersey, Betty's Summer Vacation, Naomi in the Living Room, Adrift in Macao, Mrs. Bob Cratchit's Wild Christmas Binge, Miss Witherspoon, Why Torture is Wrong, and the People Who Love Them, "Vanya and Sonia and Masha and Spike", and a collection of one-act parodies meant to be performed in one evening entitled Durang/Durang that includes "Mrs. Sorken", "For Whom The Southern Belle Tolls" (a parody of The Glass Menagerie by Tennessee Williams), "A Stye Of the Eye", "Nina in the Morning", "Wanda's Visit", and "Business Lunch at the Russian Tea Room".
Durang has performed as an actor for both stage and screen. He first came to prominence in his Off-Broadway satirical review Das Lusitania Songspiel, which he performed with friend and fellow Yale alum Sigourney Weaver. Later he co-starred in one of his own plays as Matt in The Marriage of Bette and Boo.
Read more about this topic: Christopher Durang
Famous quotes containing the word work:
“Life is indeed darkness save when there is urge,
And all urge is blind save when there is knowledge,
And all knowledge is vain save when there is work,
And all work is empty save when there is love.”
—Kahlil Gibran (1883–1931)
“The work of Henry James has always seemed divisible by a simple dynastic arrangement into three reigns: James I, James II, and the Old Pretender.”
—Philip Guedalla (1889–1944)
“How marvellous it all is! Built not by saints and angels, but the work of men’s hands; cemented with men’s honest blood and with a world of tears, welded by the best brains of centuries past; not without the taint and reproach incidental to all human work, but constructed on the whole with pure and splendid purpose. Human, and yet not wholly human—for the most heedless and the most cynical must see the finger of the Divine.”
—Archibald Philip Primrose, 5th Earl Rosebery (1847–1929)