Work
His work often deals critically with issues of child abuse, Roman Catholic dogma and culture, and homosexuality.
His plays have been performed nationwide, including on Broadway and Off-Broadway. His works include Sister Mary Ignatius Explains It All For You, Beyond Therapy, Baby With the Bathwater, The Nature and Purpose of the Universe, Titanic, A History of the American Film, The Idiots Karamazov, The Marriage of Bette and Boo, Laughing Wild, 'Dentity Crisis, The Actor's Nightmare, The Vietnamization of New Jersey, Betty's Summer Vacation, Naomi in the Living Room, Adrift in Macao, Mrs. Bob Cratchit's Wild Christmas Binge, Miss Witherspoon, Why Torture is Wrong, and the People Who Love Them, "Vanya and Sonia and Masha and Spike", and a collection of one-act parodies meant to be performed in one evening entitled Durang/Durang that includes "Mrs. Sorken", "For Whom The Southern Belle Tolls" (a parody of The Glass Menagerie by Tennessee Williams), "A Stye Of the Eye", "Nina in the Morning", "Wanda's Visit", and "Business Lunch at the Russian Tea Room".
Durang has performed as an actor for both stage and screen. He first came to prominence in his Off-Broadway satirical review Das Lusitania Songspiel, which he performed with friend and fellow Yale alum Sigourney Weaver. Later he co-starred in one of his own plays as Matt in The Marriage of Bette and Boo.
Read more about this topic: Christopher Durang
Famous quotes containing the word work:
“In some withdrawn, unpublic mead
Let me sigh upon a reed,
Or in the woods, with leafy din,
Whisper the still evening in:
Some still work give me to do,—
Only—be it near to you!
For I’d rather be thy child
And pupil, in the forest wild,
Than be the king of men elsewhere,
And most sovereign slave of care:
To have one moment of thy dawn,
Than share the city’s year forlorn.”
—Henry David Thoreau (1817–1862)
“We work in the dark—we do what we can—we give what we have. Our doubt is our passion and our passion is our task. The rest is the madness of art.”
—Henry James (1843–1916)
“Art, whose honesty must work through artifice, cannot avoid cheating truth.”
—Laura Riding (1901–1991)