Work
His work often deals critically with issues of child abuse, Roman Catholic dogma and culture, and homosexuality.
His plays have been performed nationwide, including on Broadway and Off-Broadway. His works include Sister Mary Ignatius Explains It All For You, Beyond Therapy, Baby With the Bathwater, The Nature and Purpose of the Universe, Titanic, A History of the American Film, The Idiots Karamazov, The Marriage of Bette and Boo, Laughing Wild, 'Dentity Crisis, The Actor's Nightmare, The Vietnamization of New Jersey, Betty's Summer Vacation, Naomi in the Living Room, Adrift in Macao, Mrs. Bob Cratchit's Wild Christmas Binge, Miss Witherspoon, Why Torture is Wrong, and the People Who Love Them, "Vanya and Sonia and Masha and Spike", and a collection of one-act parodies meant to be performed in one evening entitled Durang/Durang that includes "Mrs. Sorken", "For Whom The Southern Belle Tolls" (a parody of The Glass Menagerie by Tennessee Williams), "A Stye Of the Eye", "Nina in the Morning", "Wanda's Visit", and "Business Lunch at the Russian Tea Room".
Durang has performed as an actor for both stage and screen. He first came to prominence in his Off-Broadway satirical review Das Lusitania Songspiel, which he performed with friend and fellow Yale alum Sigourney Weaver. Later he co-starred in one of his own plays as Matt in The Marriage of Bette and Boo.
Read more about this topic: Christopher Durang
Famous quotes containing the word work:
“Our work ... is to present things that are as they are.”
—Frederick II Hohenstaufen (1194–1250)
“Well said, old mole, canst work i’ th’ earth so fast?”
—William Shakespeare (1564–1616)
“The Taylor and the Painter often contribute to the Success of a Tragedy more than the Poet. Scenes affect ordinary Minds as much as Speeches; and our Actors are very sensible, that a well-dressed Play has sometimes brought them as full Audiences, as a well-written one.... But however the Show and Outside of the Tragedy may work upon the Vulgar, the more understanding Part of the Audience immediately see through it, and despise it.”
—Joseph Addison (1672–1719)