Contemporary Christian Music
From the latter half of the 20th century to the present day in Western Christendom—especially in the United States and in other countries with evangelical churches—various genres of music, originally often related to pop rock, have been created under the label of Contemporary Christian Music for home-listening and concert use. It can be divided into several genres and sub-genres, although the dividing lines and relationships between music genres are often subtle, sometimes open to individual interpretation, and occasionally controversial. These genres (sometimes referred to as 'style') like other forms of music may be distinguished by the techniques, the styles, the context and the themes, or geographical origin. Specific sub-genres of CCM may include (but are not limited to): Christian country music, Christian pop, Christian rock, Christian metal, Christian hardcore, Christian punk, Christian alternative rock and Christian hip hop. Called Christian pop or gospel a generalized form, is a musical movement almost new and was now evolved into a day, a large number of musical genres by region that comes in a Christian context This movement appeared as a form of evangelization for the young but this genre is best known and seen in the Evangelical or Protestant proselytizing movements, often using rhythms similar to those in secular music.
Contemporary Christian music is not a musical genre like the other genres. When a song is identified as "Christian" it is done taking into account the lyrics, the song-writers and performers, rather than musical style. Therefore, one can say that contemporary Christian music is diverse, and there are Christian songs that are sung to the rhythm of salsa, reggae, rock, folk, hip-hop or rap, ballads, pop, singer-songwriters and even extreme music such as punk or heavy metal.
Read more about this topic: Christian Music
Famous quotes containing the words contemporary, christian and/or music:
“The shift from the perception of the child as innocent to the perception of the child as competent has greatly increased the demands on contemporary children for maturity, for participating in competitive sports, for early academic achievement, and for protecting themselves against adults who might do them harm. While children might be able to cope with any one of those demands taken singly, taken together they often exceed children’s adaptive capacity.”
—David Elkind (20th century)
“All great amusements are dangerous to the Christian life; but among all those which the world has invented there is none more to be feared than the theater. It is a representation of the passions so natural and so delicate that it excites them and gives birth to them in our hearts, and, above all, to that of love.”
—Blaise Pascal (1623–1662)
“There was never yet such a storm but it was Æolian music to a healthy and innocent ear.”
—Henry David Thoreau (1817–1862)