Style
Squire's bass playing is noted for being aggressive, dynamic, and melodic. Squire's main instrument is a Rickenbacker bass (model RM1999, serial number DC127), which he has owned and played since 1965—the year it was first introduced. In many ways, the Rickenbacker was the polar opposite of the then commonly used Fender bass. (In fact, the electric bass at the time was often referred to as the "Fender.") The RM1999 was a budget, monophonic version of Rickenbacker's 4001 stereo bass. This model was imported into the UK by Rose Morris Ltd (hence the RM prefix on the model number) and, according to Squire's official website, was only the fourth bass of its type to be imported into Britain from the United States.
Squire mentioned in a 1979 interview with Circus Weekly that he acquired this bass while working at the Boosey & Hawkes music store in London. This instrument, with its warmth, is a significant part of Squire's unique sound. Due to its distinct high/mid tone, it allowed the bass to take on a more "lead" role, which suited Squire perfectly. Unlike the grooving low end thump established by James Jamerson and imitated throughout the world of rock and R&B, Squire constructed contrapuntal lines reminiscent of a "Bach/Baroque" style where the bass played a separate melody from the main theme. The fact that the Rickenbacker had a "harpsichord-like" sound suited this approach perfectly.
According to his interview in Guitar Player magazine in October 1973, Squire obtained his distinctive tone at the time by rewiring his RM1999 into stereo and sending the bass and treble pick-ups each into a separate amplifier. By splitting the signal from his bass into dual high and low frequency outputs and then sending the low frequency output to a conventional bass amplifier and the high-frequency output to a separate lead guitar amplifier, Squire produced a tonal 'sandwich' that added a growling, overdrive edge to the sound while retaining the Rickenbacker's powerful bass response. This gave his bass sound bright, growling higher frequencies and clean, solid bass frequencies. This technique allowed Squire to utilise harmonic distortion on his bass while avoiding the flat, fuzzy sound, loss of power and poor bass response that typically occurs when bass guitars are overdriven through an amplifier or put through a fuzz box. During an interview to Bass Player magazine in January 2009, Squire claimed to have rewired his bass to stereo, even before Rickenbacker introduced the Rick-O-Sound feature, so he could send the output of the bass (neck) pick-up through a fuzz box, while keeping the treble (bridge) pick-up clean, because the last sounded "horribly nasal" when used with the fuzz effect. He also plays with a pick which contributes to the sharp attack as well as using fresh Rotosound Swing Bass strings for every show. Squire's intricate and complex bass playing style has influenced subsequent bassists such as Billy Sheehan, Geddy Lee of Rush, Steve Harris of Iron Maiden, Les Claypool of Primus, John Myung of Dream Theater, and Robert DeLeo of Stone Temple Pilots.
In addition to his back-up vocals, Squire is featured as lead vocalist on two Yes songs: "Can You Imagine?" from Magnification and "The Man You Always Wanted Me to Be" from Fly From Here. He also has a more prominent vocal role on parts of Drama and 90125.
Read more about this topic: Chris Squire
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