Chris Morris (satirist) - Works

Works

  • Various works at BBC Radio Cambridgeshire (1986–1987) (presenter)
  • No Known Cure (July 1987 – March 1990, BBC Radio Bristol) (presenter)
  • Chris Morris (1988–1993, BBC GLR) (presenter)
  • Loose Ends (1989, BBC Radio 4)
  • Up Yer News (1990, BSB)
  • The Chris Morris Christmas Show (25 December 1990, BBC Radio 1)
  • On The Hour (1991–1992, BBC Radio 4) (co-writer, performer)
  • It's Only TV (September 1992, LWT) (unbroadcast pilot)
  • Why Bother? (1994, BBC Radio 3) (performer, editor)
  • The Day Today (1994, BBC 2) (co-writer, performer)
  • The Chris Morris Music Show (1994, BBC Radio 1) (presenter)
  • Brass Eye (1997, Channel 4) (writer, performer)
  • I'm Alan Partridge (1997, BBC 2) (performer, 1 episode)
  • Blue Jam (1997–1999, BBC Radio 1) (writer, director, performer, editor)
  • Big Train (1999, BBC 2) various sketches. (additional director, voice actor (1 sketch))
  • Second Class Male/Time To Go (1999, newspaper column for The Observer)
  • Jam/Jaaaaam (2000, Channel 4) (main writer, director, performer)
  • Brass Eye Special (2001, Channel 4) (writer, performer)
  • The Smokehammer (2002, website)
  • Absolute Atrocity Special (2002, newspaper pullout for The Observer)
  • Bushwhacked (2002)
  • My Wrongs #8245–8249 & 117 (2002, short film) (writer, director, voice of Rothko)
  • Nathan Barley (2005, Channel 4) (writer, director)
  • The IT Crowd (2006–2008, Channel 4) (performer)
  • Stewart Lee's Comedy Vehicle (2009-, BBC 2) (script editor)
  • Four Lions (2009, film) (writer, director)
  • Veep (2012, Television Series) (Director)

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Famous quotes containing the word works:

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    —Jean Genet (1910–1986)

    “Every man is in a state of conflict, owing to his attempt to reconcile himself and his relationship with life to his conception of harmony. This conflict makes his soul a battlefield, where the forces that wish this reconciliation fight those that do not and reject the alternative solutions they offer. Works of art are attempts to fight out this conflict in the imaginative world.”
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