Chiho Saito - Works

Works

  • Anastasia Club
  • Revolutionary Girl Utena
  • Waltz in a White Dress (円舞曲は白いドレスで, Walts wa Shiroi Dress de?)
    • Magnolia Waltz (白木蘭円舞曲?)
  • One Day, While Meeting a Knight (ある日、ナイトに会ったなら, Aru Hi, Naito ni Attanara?)
    • Take Me Away, My Dear Knight (さらフてわたしのナイト, Saratte Watashi no Naito?)
  • Kanon (花音?)
  • First Girl (ファースト・ガール, Fāsuto Gāru?)
  • Basilis no Musume (バシリスの娘, Bashirisu no Musume?)
  • Beautiful (ビューティフル, Byūtifuru?)
  • Blue Apple Labyrinth (青りんご迷宮, Ao-Ringo Meikyū?)
  • Etoile Girl (エトワール・ガール, Etowāru Gāru?)
  • Sunset Love (目を閉じて愛, Hi wo Tojite Ai?)
  • Honoka ni Purple (ほのかにパープル, Honaka ni Pāpuru?, "A Hint of Purple")
  • Dream Ballet (星を摘むドンナ, Hoshi wo Tsumu Donna?, "Pluck the Stars, Donna")
  • Ice Forest (アイスフォレスト, Aisu Foresuto?)
  • The Flower Crown Madonna (花冠のマドンナ, Kakkan no Madonna?)
  • A Love Story in Shepherd Mount (小羊印のるんぱっぱ, Kohitsuji-jirushi no Runpappa?)
  • Place of Lovers (恋人たちの場所, Koibitotachi no Basho?)
  • Love Stories (恋物語, Koimonogatari?)
  • Angel Tattoo (天使のTATTOO, Tenshi no Tattoo?)
  • Mo Hitori no Marionette (もう一人のマリオネット, Mō Hitori no Marionetto?, "One More Marionette")
  • Wait for Me at the Opera (オペラ座で待ってて, Opera-za de Mattete?)
  • Lady Masquerade (レディー・マスカレード, Redī Masukarēdo?)
  • Lilac Nocturne (紫丁香夜想曲 LILAC NOCTURNE, Shiteikō Yazōkyoku: Lilac Nocturne?)
  • The World Exists for Me (S&Mの世界, S&M no Sekai?, "World of S&M") (Published in 2 English Short Story Volumes by Tokyopop")
  • Key of Arabian Nights (千一夜の鍵, Senichiya no Kagi?, "1,001 Keys")
  • Bronze no Tenshi (ブロンズの天使, Buronzu no Tenshi?, "Bronze Angel")
  • Chat Noir no Shippo (シャ・ノワールのしっぽ, Sha Nowāru no Shippo?, "Black Cat's Tail")
  • Silver Wolf (銀の狼, Gin no Ōkami?)

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Famous quotes containing the word works:

    “I look on trade and every mechanical craft as education also. But let me discriminate what is precious herein. There is in each of these works an act of invention, an intellectual step, or short series of steps taken; that act or step is the spiritual act; all the rest is mere repetition of the same a thousand times.”
    —Ralph Waldo Emerson (1803–1882)

    “The ancients of the ideal description, instead of trying to turn their impracticable chimeras, as does the modern dreamer, into social and political prodigies, deposited them in great works of art, which still live while states and constitutions have perished, bequeathing to posterity not shameful defects but triumphant successes.”
    —Herman Melville (1819–1891)

    “His works are not to be studied, but read with a swift satisfaction. Their flavor and gust is like what poets tell of the froth of wine, which can only be tasted once and hastily.”
    —Henry David Thoreau (1817–1862)