Chiho Saito - Works

Works

  • Anastasia Club
  • Revolutionary Girl Utena
  • Waltz in a White Dress (円舞曲は白いドレスで, Walts wa Shiroi Dress de?)
    • Magnolia Waltz (白木蘭円舞曲?)
  • One Day, While Meeting a Knight (ある日、ナイトに会ったなら, Aru Hi, Naito ni Attanara?)
    • Take Me Away, My Dear Knight (さらフてわたしのナイト, Saratte Watashi no Naito?)
  • Kanon (花音?)
  • First Girl (ファースト・ガール, Fāsuto Gāru?)
  • Basilis no Musume (バシリスの娘, Bashirisu no Musume?)
  • Beautiful (ビューティフル, Byūtifuru?)
  • Blue Apple Labyrinth (青りんご迷宮, Ao-Ringo Meikyū?)
  • Etoile Girl (エトワール・ガール, Etowāru Gāru?)
  • Sunset Love (目を閉じて愛, Hi wo Tojite Ai?)
  • Honoka ni Purple (ほのかにパープル, Honaka ni Pāpuru?, "A Hint of Purple")
  • Dream Ballet (星を摘むドンナ, Hoshi wo Tsumu Donna?, "Pluck the Stars, Donna")
  • Ice Forest (アイスフォレスト, Aisu Foresuto?)
  • The Flower Crown Madonna (花冠のマドンナ, Kakkan no Madonna?)
  • A Love Story in Shepherd Mount (小羊印のるんぱっぱ, Kohitsuji-jirushi no Runpappa?)
  • Place of Lovers (恋人たちの場所, Koibitotachi no Basho?)
  • Love Stories (恋物語, Koimonogatari?)
  • Angel Tattoo (天使のTATTOO, Tenshi no Tattoo?)
  • Mo Hitori no Marionette (もう一人のマリオネット, Mō Hitori no Marionetto?, "One More Marionette")
  • Wait for Me at the Opera (オペラ座で待ってて, Opera-za de Mattete?)
  • Lady Masquerade (レディー・マスカレード, Redī Masukarēdo?)
  • Lilac Nocturne (紫丁香夜想曲 LILAC NOCTURNE, Shiteikō Yazōkyoku: Lilac Nocturne?)
  • The World Exists for Me (S&Mの世界, S&M no Sekai?, "World of S&M") (Published in 2 English Short Story Volumes by Tokyopop")
  • Key of Arabian Nights (千一夜の鍵, Senichiya no Kagi?, "1,001 Keys")
  • Bronze no Tenshi (ブロンズの天使, Buronzu no Tenshi?, "Bronze Angel")
  • Chat Noir no Shippo (シャ・ノワールのしっぽ, Sha Nowāru no Shippo?, "Black Cat's Tail")
  • Silver Wolf (銀の狼, Gin no Ōkami?)

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Famous quotes containing the word works:

    “Piety practised in solitude, like the flower that blooms in the desert, may give its fragrance to the winds of heaven, and delight those unbodied spirits that survey the works of God and the actions of men; but it bestows no assistance upon earthly beings, and however free from taints of impurity, yet wants the sacred splendour of beneficence.”
    —Samuel Johnson (1709–1784)

    “Separatism of any kind promotes marginalization of those unwilling to grapple with the whole body of knowledge and creative works available to others. This is true of black students who do not want to read works by white writers, of female students of any race who do not want to read books by men, and of white students who only want to read works by white writers.”
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    “We thus worked our way up this river, gradually adjusting our thoughts to novelties, beholding from its placid bosom a new nature and new works of men, and, as it were with increasing confidence, finding nature still habitable, genial, and propitious to us; not following any beaten path, but the windings of the river, as ever the nearest way for us. Fortunately, we had no business in this country.”
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