Chiho Saito - Works

Works

  • Anastasia Club
  • Revolutionary Girl Utena
  • Waltz in a White Dress (円舞曲は白いドレスで, Walts wa Shiroi Dress de?)
    • Magnolia Waltz (白木蘭円舞曲?)
  • One Day, While Meeting a Knight (ある日、ナイトに会ったなら, Aru Hi, Naito ni Attanara?)
    • Take Me Away, My Dear Knight (さらフてわたしのナイト, Saratte Watashi no Naito?)
  • Kanon (花音?)
  • First Girl (ファースト・ガール, Fāsuto Gāru?)
  • Basilis no Musume (バシリスの娘, Bashirisu no Musume?)
  • Beautiful (ビューティフル, Byūtifuru?)
  • Blue Apple Labyrinth (青りんご迷宮, Ao-Ringo Meikyū?)
  • Etoile Girl (エトワール・ガール, Etowāru Gāru?)
  • Sunset Love (目を閉じて愛, Hi wo Tojite Ai?)
  • Honoka ni Purple (ほのかにパープル, Honaka ni Pāpuru?, "A Hint of Purple")
  • Dream Ballet (星を摘むドンナ, Hoshi wo Tsumu Donna?, "Pluck the Stars, Donna")
  • Ice Forest (アイスフォレスト, Aisu Foresuto?)
  • The Flower Crown Madonna (花冠のマドンナ, Kakkan no Madonna?)
  • A Love Story in Shepherd Mount (小羊印のるんぱっぱ, Kohitsuji-jirushi no Runpappa?)
  • Place of Lovers (恋人たちの場所, Koibitotachi no Basho?)
  • Love Stories (恋物語, Koimonogatari?)
  • Angel Tattoo (天使のTATTOO, Tenshi no Tattoo?)
  • Mo Hitori no Marionette (もう一人のマリオネット, Mō Hitori no Marionetto?, "One More Marionette")
  • Wait for Me at the Opera (オペラ座で待ってて, Opera-za de Mattete?)
  • Lady Masquerade (レディー・マスカレード, Redī Masukarēdo?)
  • Lilac Nocturne (紫丁香夜想曲 LILAC NOCTURNE, Shiteikō Yazōkyoku: Lilac Nocturne?)
  • The World Exists for Me (S&Mの世界, S&M no Sekai?, "World of S&M") (Published in 2 English Short Story Volumes by Tokyopop")
  • Key of Arabian Nights (千一夜の鍵, Senichiya no Kagi?, "1,001 Keys")
  • Bronze no Tenshi (ブロンズの天使, Buronzu no Tenshi?, "Bronze Angel")
  • Chat Noir no Shippo (シャ・ノワールのしっぽ, Sha Nowāru no Shippo?, "Black Cat's Tail")
  • Silver Wolf (銀の狼, Gin no Ōkami?)

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Famous quotes containing the word works:

    “In all Works of This, and of the Dramatic Kind, STORY, or AMUSEMENT, should be considered as little more than the Vehicle to the more necessary INSTRUCTION.”
    —Samuel Richardson (1689–1761)

    “We do not fear censorship for we have no wish to offend with improprieties or obscenities, but we do demand, as a right, the liberty to show the dark side of wrong, that we may illuminate the bright side of virtue—the same liberty that is conceded to the art of the written word, that art to which we owe the Bible and the works of Shakespeare.”
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    “The discovery of Pennsylvania’s coal and iron was the deathblow to Allaire. The works were moved to Pennsylvania so hurriedly that for years pianos and the larger pieces of furniture stood in the deserted houses.”
    —For the State of New Jersey, U.S. public relief program (1935-1943)