History
In 1916 the artists Vanessa Bell and Duncan Grant moved to Sussex with their unconventional household. Over the following half century Charleston became the country meeting place for the group of artists, writers and intellectuals known as Bloomsbury. Clive Bell, David Garnett and Maynard Keynes lived at Charleston for considerable periods; Virginia and Leonard Woolf, E.M. Forster, Lytton Strachey and Roger Fry were frequent visitors. Inspired by Italian fresco painting and the Post-Impressionists, the artists decorated the walls, doors and furniture at Charleston. The walled garden was redesigned in a style reminiscent of southern Europe, with mosaics, box hedges, gravel pathways and ponds, but with a touch of Bloomsbury humour in the placing of the statuary.
"It's most lovely, very solid and simple, with...perfectly flat windows and wonderful tiled roofs. The pond is most beautiful, with a willow at one side and a stone or flint wall edging it all round the garden part, and a little lawn sloping down to it, with formal bushes on it." — Vanessa Bell
The rooms on show form a complete example of the decorative art of the Bloomsbury artists: murals, painted furniture, ceramics, objects from the Omega Workshops, paintings and textiles. The collection includes work by Auguste Renoir, Picasso, Derain, Matthew Smith, Sickert, Tomlin and Eugène Delacroix.
Read more about this topic: Charleston Farmhouse
Famous quotes containing the word history:
“[Men say:] “Don’t you know that we are your natural protectors?” But what is a woman afraid of on a lonely road after dark? The bears and wolves are all gone; there is nothing to be afraid of now but our natural protectors.”
—Frances A. Griffin, U.S. suffragist. As quoted in History of Woman Suffrage, vol. 4, ch. 19, by Susan B. Anthony and Ida Husted Harper (1902)
“All history and art are against us, but we still expect happiness in love.”
—Mason Cooley (b. 1927)
“The greatest horrors in the history of mankind are not due to the ambition of the Napoleons or the vengeance of the Agamemnons, but to the doctrinaire philosophers. The theories of the sentimentalist Rousseau inspired the integrity of the passionless Robespierre. The cold-blooded calculations of Karl Marx led to the judicial and business-like operations of the Cheka.”
—Aleister Crowley (1875–1947)