History
In 1916 the artists Vanessa Bell and Duncan Grant moved to Sussex with their unconventional household. Over the following half century Charleston became the country meeting place for the group of artists, writers and intellectuals known as Bloomsbury. Clive Bell, David Garnett and Maynard Keynes lived at Charleston for considerable periods; Virginia and Leonard Woolf, E.M. Forster, Lytton Strachey and Roger Fry were frequent visitors. Inspired by Italian fresco painting and the Post-Impressionists, the artists decorated the walls, doors and furniture at Charleston. The walled garden was redesigned in a style reminiscent of southern Europe, with mosaics, box hedges, gravel pathways and ponds, but with a touch of Bloomsbury humour in the placing of the statuary.
"It's most lovely, very solid and simple, with...perfectly flat windows and wonderful tiled roofs. The pond is most beautiful, with a willow at one side and a stone or flint wall edging it all round the garden part, and a little lawn sloping down to it, with formal bushes on it." — Vanessa Bell
The rooms on show form a complete example of the decorative art of the Bloomsbury artists: murals, painted furniture, ceramics, objects from the Omega Workshops, paintings and textiles. The collection includes work by Auguste Renoir, Picasso, Derain, Matthew Smith, Sickert, Tomlin and Eugène Delacroix.
Read more about this topic: Charleston Farmhouse
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“If man is reduced to being nothing but a character in history, he has no other choice but to subside into the sound and fury of a completely irrational history or to endow history with the form of human reason.”
—Albert Camus (1913–1960)
“As I am, so shall I associate, and so shall I act; Caesar’s history will paint out Caesar.”
—Ralph Waldo Emerson (1803–1882)
“I believe that in the history of art and of thought there has always been at every living moment of culture a “will to renewal.” This is not the prerogative of the last decade only. All history is nothing but a succession of “crises”Mof rupture, repudiation and resistance.... When there is no “crisis,” there is stagnation, petrification and death. All thought, all art is aggressive.”
—Eugène Ionesco (b. 1912)