Casimir Effect - Regularisation

Regularisation

In order to be able to perform calculations in the general case, it is convenient to introduce a regulator in the summations. This is an artificial device, used to make the sums finite so that they can be more easily manipulated, followed by the taking of a limit so as to remove the regulator.

The heat kernel or exponentially regulated sum is

\langle E(t) \rangle = \frac{1}{2} \sum_n \hbar |\omega_n|
\exp (-t|\omega_n|)

where the limit is taken in the end. The divergence of the sum is typically manifested as

for three-dimensional cavities. The infinite part of the sum is associated with the bulk constant C which does not depend on the shape of the cavity. The interesting part of the sum is the finite part, which is shape-dependent. The Gaussian regulator

\langle E(t) \rangle = \frac{1}{2} \sum_n \hbar |\omega_n|
\exp (-t^2|\omega_n|^2)

is better suited to numerical calculations because of its superior convergence properties, but is more difficult to use in theoretical calculations. Other, suitably smooth, regulators may be used as well. The zeta function regulator

is completely unsuited for numerical calculations, but is quite useful in theoretical calculations. In particular, divergences show up as poles in the complex s plane, with the bulk divergence at s = 4. This sum may be analytically continued past this pole, to obtain a finite part at s = 0.

Not every cavity configuration necessarily leads to a finite part (the lack of a pole at s = 0) or shape-independent infinite parts. In this case, it should be understood that additional physics has to be taken into account. In particular, at extremely large frequencies (above the plasma frequency), metals become transparent to photons (such as X-rays), and dielectrics show a frequency-dependent cutoff as well. This frequency dependence acts as a natural regulator. There are a variety of bulk effects in solid state physics, mathematically very similar to the Casimir effect, where the cutoff frequency comes into explicit play to keep expressions finite. (These are discussed in greater detail in Landau and Lifshitz, "Theory of Continuous Media".)

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