Works
Carpentras composed several masses, numerous settings of the Magnificat, psalm settings, hymns, motets, and secular songs, as well as many settings of the Lamentations, which were his most famous work both during his lifetime and until 1587 when Palestrina was commissioned by the Counter-Reformation church to replace them. Stylistically, his music is typical of the generation after Josquin, smoothly polyphonic with pervasive imitation. Carpentras alternates points of imitation with homophonic sections, especially in his settings of the Lamentations.
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Famous quotes containing the word works:
“I lay my eternal curse on whomsoever shall now or at any time hereafter make schoolbooks of my works and make me hated as Shakespeare is hated. My plays were not designed as instruments of torture. All the schools that lust after them get this answer, and will never get any other.”
—George Bernard Shaw (18561950)
“Again we mistook a little rocky islet seen through the drisk, with some taller bare trunks or stumps on it, for the steamer with its smoke-pipes, but as it had not changed its position after half an hour, we were undeceived. So much do the works of man resemble the works of nature. A moose might mistake a steamer for a floating isle, and not be scared till he heard its puffing or its whistle.”
—Henry David Thoreau (18171862)
“My first childish doubt as to whether God could really be a good Protestant was suggested by my observation of the deplorable fact that the best voices available for combination with my mothers in the works of the great composers had been unaccountably vouchsafed to Roman Catholics.”
—George Bernard Shaw (18561950)