Principal Roles and Notable Performers
Character | Description | Notable stage performers |
---|---|---|
Billy Bigelow | A barker for a carousel | John Raitt°, Stephen Douglass, Bruce Yarnell, Michael Hayden, Howard Keel, Patrick Wilson |
Julie Jordan | A millworker, in love with Billy | Jan Clayton°, Barbara Cook, Constance Towers, Joanna Riding, Sarah Uriarte Berry, Jennifer Laura Thompson |
Carrie Pipperidge | A millworker and friend of Julie's, in love with Enoch Snow | Jean Darling°, Janie Dee, Audra McDonald |
Enoch Snow | A fisherman, who thinks big in his plans | Eric Mattson°, Eddie Korbich |
Nettie Fowler | Julie's cousin and owner of a small seaside spa | Christine Johnson°, Shirley Verrett, Lesley Garrett, Patricia Routledge |
Jigger Craigin | A no-account whaler, Billy's friend | Murvyn Vye°, Jerry Orbach |
Louise Bigelow | Billy and Julie's daughter | Bambi Linn° |
The Starkeeper | An official in the afterlife | Russell Collins°, Edward Everett Horton |
° denotes original Broadway cast
Read more about this topic: Carousel (musical)
Famous quotes containing the words principal, roles, notable and/or performers:
“There are three principal means of acquiring knowledge available to us: observation of nature, reflection, and experimentation. Observation collects facts; reflection combines them; experimentation verifies the result of that combination. Our observation of nature must be diligent, our reflection profound, and our experiments exact. We rarely see these three means combined; and for this reason, creative geniuses are not common.”
—Denis Diderot (17131784)
“A concern with parenting...must direct attention beyond behavior. This is because parenting is not simply a set of behaviors, but participation in an interpersonal, diffuse, affective relationship. Parenting is an eminently psychological role in a way that many other roles and activities are not.”
—Nancy Chodorow (20th century)
“Every notable advance in technique or organization has to be paid for, and in most cases the debit is more or less equivalent to the credit. Except of course when its more than equivalent, as it has been with universal education, for example, or wireless, or these damned aeroplanes. In which case, of course, your progress is a step backwards and downwards.”
—Aldous Huxley (18941963)
“The reason Im in this business, I assume all performers areits Look at me, Ma! Its acceptance, you knowLook at me, Ma, look at me, Ma, look at me, Ma. And if your mother watches, youll show off till youre exhausted; but if your mother goes, Ptshew!”
—Lenny Bruce (19251966)