Principal Roles and Notable Performers
| Character | Description | Notable stage performers |
|---|---|---|
| Billy Bigelow | A barker for a carousel | John Raitt°, Stephen Douglass, Bruce Yarnell, Michael Hayden, Howard Keel, Patrick Wilson |
| Julie Jordan | A millworker, in love with Billy | Jan Clayton°, Barbara Cook, Constance Towers, Joanna Riding, Sarah Uriarte Berry, Jennifer Laura Thompson |
| Carrie Pipperidge | A millworker and friend of Julie's, in love with Enoch Snow | Jean Darling°, Janie Dee, Audra McDonald |
| Enoch Snow | A fisherman, who thinks big in his plans | Eric Mattson°, Eddie Korbich |
| Nettie Fowler | Julie's cousin and owner of a small seaside spa | Christine Johnson°, Shirley Verrett, Lesley Garrett, Patricia Routledge |
| Jigger Craigin | A no-account whaler, Billy's friend | Murvyn Vye°, Jerry Orbach |
| Louise Bigelow | Billy and Julie's daughter | Bambi Linn° |
| The Starkeeper | An official in the afterlife | Russell Collins°, Edward Everett Horton |
° denotes original Broadway cast
Read more about this topic: Carousel (musical)
Famous quotes containing the words principal, roles, notable and/or performers:
“So in accepting the leading of the sentiments, it is not what we believe concerning the immortality of the soul, or the like, but the universal impulse to believe, that is the material circumstance, and is the principal fact in this history of the globe.”
—Ralph Waldo Emerson (18031882)
“A concern with parenting...must direct attention beyond behavior. This is because parenting is not simply a set of behaviors, but participation in an interpersonal, diffuse, affective relationship. Parenting is an eminently psychological role in a way that many other roles and activities are not.”
—Nancy Chodorow (20th century)
“Every notable advance in technique or organization has to be paid for, and in most cases the debit is more or less equivalent to the credit. Except of course when its more than equivalent, as it has been with universal education, for example, or wireless, or these damned aeroplanes. In which case, of course, your progress is a step backwards and downwards.”
—Aldous Huxley (18941963)
“The reason Im in this business, I assume all performers areits Look at me, Ma! Its acceptance, you knowLook at me, Ma, look at me, Ma, look at me, Ma. And if your mother watches, youll show off till youre exhausted; but if your mother goes, Ptshew!”
—Lenny Bruce (19251966)